Dziga Vertov

Hicks, Jeremy

doi:10.5040/9780755696123

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Thinking With a Camera1

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2013

2024

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Cited by 42 publications

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“…Vertov argued that the language of cinema was predicated on cinema's unique capability of recording scenes that mimicked real-time movement, which could then be rearranged, speeded up, slowed down, double exposed, etc. The product of this exercise is a film that does not represent a copy of the world, but a renewed examination of it (Hicks 2007). The 'truth' that is expressed in this approach is not a pro-filmic reality, but the reality that is constituted through the medium itself, the truth of cinema (Vertov 1984).…”

Section: Thinking With a Cameramentioning

confidence: 99%

Cinematic Affects in War: The Visual Anthropology of Mantas Kvedaravičius

Cubero

2024

Lietuvos Etnologija / Lithuanian Ethnology

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This paper offers a reading of Mantas Kvedaravičius’ research findings from the perspective of visual anthropology. The paper describes the continuities between Kvedaravičius’ theoretical concerns on the anthropology of war and his filmmaking approach. These continuities imply an epistemological position that approaches research cinematically and proceeds to write from that position. Kvedaravičius’ work is illustrative of research that takes audio-visual ethnography seriously and works through the possibilities and limitations of different media to produce new stories on the human experience.

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Section: Thinking With a Cameramentioning

confidence: 99%