2020
DOI: 10.1080/14616688.2020.1795710
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Dystopian dark tourism: affective experiences in Dismaland

Abstract: In dark tourism affects are generated in a relational manner by the tourists and the locations visited by them. Exploring affective meanings of Banksy's Dismaland via socio-spatial theories of emotion and affect is a way to contribute to the understanding of dystopian tourism. The dystopian touristic experience of Dismaland evolves from the interaction of a dystopian atmosphere, a displacement strategy and productive negative intensities. Whilst the affects produced vary according to the artist's intentions, t… Show more

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Cited by 12 publications
(4 citation statements)
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“…Germann Molz' study of the Couchsurfing network (2013) analyses these consequences in terms of “moral affordances”: the ethical choices travelers make in their use of technology as part of the network's “moral economy” of non-commodified exchange and “intimate and authentic interpersonal interactions” (p. 220). In a different way, “dark” tourism also seeks to produce moral reactions, as discussed in Pimentel Biscaia and Marques' (2020) conceptual reflection on the affective meanings of the dystopian touristic experience of Banksy's Dismaland.…”
Section: Resultsmentioning
confidence: 99%
“…Germann Molz' study of the Couchsurfing network (2013) analyses these consequences in terms of “moral affordances”: the ethical choices travelers make in their use of technology as part of the network's “moral economy” of non-commodified exchange and “intimate and authentic interpersonal interactions” (p. 220). In a different way, “dark” tourism also seeks to produce moral reactions, as discussed in Pimentel Biscaia and Marques' (2020) conceptual reflection on the affective meanings of the dystopian touristic experience of Banksy's Dismaland.…”
Section: Resultsmentioning
confidence: 99%
“…According to Stone (2006), bone chapels, catacombs and ossuaries are good examples of this mix of “macabre education”, as they are places where death or symbols of death are associated with a reflective message. Bone chapels, despite their artistic differences, are a symbol of a certain macabre heritage (de Pinho & de Pinho, 2020), and just like an artistic installation, they activate emotional empathy, embarrassment, catharsis, shock or excitement (Pimentel Biscaia & Marques, 2022). These places feature real bones of human beings as a reminder of human mortality, consequently, they are a representation of death and an opportunity to mediate the meaning of mortality (Stone, 2012).…”
Section: Dark Tourism and Lighter Dark Sitesmentioning
confidence: 99%
“…There are relatively few studies on perceived benefits, especially systematic, multivariate analyses of chain-effect relationships among perceived benefits and motivation, satisfaction and behavioral intentions. As an activity with strong emotional attributes (Pimentel Biscaia and Marques, 2022), what are the benefits perceived by dark tourism participants? What are the relationships between motivations, perceived benefits, satisfaction and postvisit behaviors?…”
Section: Introductionmentioning
confidence: 99%