The Production of Speech 1983
DOI: 10.1007/978-1-4613-8202-7_3
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Dynamic Characteristics of Voice Fundamental Frequency in Speech and Singing

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Cited by 143 publications
(102 citation statements)
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“…Also in the current implementation of TD stiffness represented by  is treated as a free parameter to be optimized, which deviates from the previous practice of allowing only discrete levels of stiffness [14,16], except when it is used for controlling duration for boundary marking [17]. In CR the onset and offset of accent/tone commands are both free parameters to be determined through analysis by synthesis in the model fitting [18]. In [1,11], however, it is found that in both Mandarin and Cantonese, the onset and offset of tone commands are closely aligned to rhyme boundaries.…”
Section: Discussionmentioning
confidence: 98%
“…Also in the current implementation of TD stiffness represented by  is treated as a free parameter to be optimized, which deviates from the previous practice of allowing only discrete levels of stiffness [14,16], except when it is used for controlling duration for boundary marking [17]. In CR the onset and offset of accent/tone commands are both free parameters to be determined through analysis by synthesis in the model fitting [18]. In [1,11], however, it is found that in both Mandarin and Cantonese, the onset and offset of tone commands are closely aligned to rhyme boundaries.…”
Section: Discussionmentioning
confidence: 98%
“…Intonational phonology also provides a framework from which local and global prosodic features can be understood (e.g., Fujisaki, 1983;Ladd, 1996). In the autosegmental-metrical (AM) approach, local cues roughly map onto what are called events, and these discrete events are strung together into structured contours.…”
Section: Introductionmentioning
confidence: 99%
“…The most important events in a tonal string are pitch accents (associated with prominent syllables within segments) and edge tones (events on the edge of segments) and they manifest as speech melody that can be transcribed according to their movement associated with phrasal structure. Fujisaki (1983) developed a model of intonation that distinguishes between accent commands and phrase commands. These commands are implemented by functionally distinct mechanisms that send their outputs to a glottal oscillation mechanism that ultimately controls a final F0 contour.…”
Section: Introductionmentioning
confidence: 99%
“…Fujisaki explained that logarithmic fundamental frequency varies linearly with vocal-fold elongation x (Fujisaki, 1983), which can be represented in the following mathematical term:…”
Section: Structural Modelmentioning
confidence: 99%