Dramatic Sounds: Composing Perspective of Comparison Between Händel and Lachenmann

Abstract

This article presents a new perspective on two different works from two different composers. We will compare two very different works-"Empio dirò tu sei", HWV 17 (1724), from the opera "Giulio Cesare", no. 3, and " Kontrakadenz" (1970Kontrakadenz" ( -1971 for full Orchestra from Helmut Lachenmann. The study is analyzed in terms of technical analysis of the composition, meanwhile discussing the limitations of composing as well as the value of dissemination. Use critical and dialectical thinking to further compare the stylistic characteristics of Händel and Lachenmann's work in the context of the material learned from the work.