Dramatic Conflict: Action-counteraction

Abstract

The aim of the research is to determine the peculiarities and essence of conflict in dramaturgy, to analyze from the theoretical point definitions action-opposition is and what place it occupies in cinema and literature. In addition, to find out for what reasons an external conflict arises and how it differs from the internal one. The research methodology is based on a systematic approach, which consists of a study of conflict in cinema. For this purpose, empirical and theoretical research methods were used. Scientific novelty. For the first time, the dramatic conflict in modern cinematography was studied and analyzed using practical and theoretical methods of research, as well as different levels of conflict in cinematography and artworks, and their peculiarities were defined. Conclusions. The characteristics and significance of the battle in dramaturgy are analyzed, what is the action and counteraction in cinematography and literature are determined. Using empirical and theoretical research methods, it was found out how a dramatic conflict in artistic works is created and the classification of conflict in society is considered in detail.