2020
DOI: 10.1017/s0307883320000085
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Dossier: Climate Change and the Decolonized Future of Theatre

Abstract: This dossier opens up a set of questions about what theatre and performance can do and be in a climate-changed future. Through a series of practice snapshots the authors suggest a diversity of responses to decolonizing and environmental justice issues in and through theatre and performance. These practices include the climate-fiction film The Wandering Earth, which prompts questions about what decolonizing means for China and the impact of climate chaos on the mental well-being of young people; The Living Pavi… Show more

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Cited by 6 publications
(2 citation statements)
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“…The film's vision of a future Earth submerged by seawater is rooted in China's greenhouse gas emissions, which surpassed those of Western countries as early as 2007 [14]. China, as a preemptive measure, invested in 'urban sponge' technology in coastal cities like Shanghai [15]. Reichstein argues that seemingly minor problems can trigger a cascade of related issues, a theme mirrored in the film [16].…”
Section: Realist Register In the Wandering Earth And Avatarmentioning
confidence: 99%
“…The film's vision of a future Earth submerged by seawater is rooted in China's greenhouse gas emissions, which surpassed those of Western countries as early as 2007 [14]. China, as a preemptive measure, invested in 'urban sponge' technology in coastal cities like Shanghai [15]. Reichstein argues that seemingly minor problems can trigger a cascade of related issues, a theme mirrored in the film [16].…”
Section: Realist Register In the Wandering Earth And Avatarmentioning
confidence: 99%
“…There is a substantial body of research on First Nations and non-First Nations rituals and ceremonies written from majority Western perspectives [22,38,39]. This research is almost always authored by either international (non-Indigenous) researchers or non-First Nations Australians [40,41].…”
Section: Phase 2: Ritual Co-designmentioning
confidence: 99%