Abstract:This article investigates how the persona enacted at the end of the 1990s by Brian Molko - British band Placebo’s lead singer and guitarist - resonates with contemporary approaches of persona performance. Amplified by presentational media along the lines of Instagram, YouTube, and Twitter, persona increasingly proliferates as enmeshed in everyday practices and identities. This is no different in the domain of (popular) music. Yet, contemporary music personas whose image approximates ordinariness rather than e… Show more
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