1969
DOI: 10.1121/1.1911371
|View full text |Cite
|
Sign up to set email alerts
|

Distribution Pattern of Cochlear Harmonics

Abstract: This study is designed to determine whether or not traveling waves accompany harmonic distortion products generated in the cochlea, and also to describe the amplitude distribution of these nonlinear components. Cochlear microphonics were monitored with the differential electrode technique from the first and third turns of guinea pig cochleas. Cancellation of the distortion components was attempted by introducing boneconducted pure tones of the frequency of the harmonic and of controllable magnitude and phase. … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1

Citation Types

0
5
0

Year Published

1972
1972
2019
2019

Publication Types

Select...
6
2

Relationship

0
8

Authors

Journals

citations
Cited by 22 publications
(5 citation statements)
references
References 1 publication
0
5
0
Order By: Relevance
“…The results of several other electrophysiological investigations, furthermore, indicate that the distortion products in the cochlea are generated in the region of the basilar membrane which is most sensitive to the fundamental component of the sound (Dallos & Sweetman, 1969;Pfeiffer & Molnar, 1970). It is tempting, therefore, to suggest that the source of zf± -/ 2 is the non-linearity in the basilar membrane motion shown by Rhode (1971).…”
Section: N O N -L I N E a R I T Ymentioning
confidence: 99%
“…The results of several other electrophysiological investigations, furthermore, indicate that the distortion products in the cochlea are generated in the region of the basilar membrane which is most sensitive to the fundamental component of the sound (Dallos & Sweetman, 1969;Pfeiffer & Molnar, 1970). It is tempting, therefore, to suggest that the source of zf± -/ 2 is the non-linearity in the basilar membrane motion shown by Rhode (1971).…”
Section: N O N -L I N E a R I T Ymentioning
confidence: 99%
“…The acoustic analysis suggests the large harmonic distortions seen in the 45 Hz CR are generated by nonlinear mechanisms within the cochlea, as expected, and not simply responses to distortion in the acoustic stimulus. This experiment was originally performed by Dallos & Sweetman (1969) where input-output functions of OHCs with various characteristic frequencies were probed with pure tones and their harmonic components in order to prove nonlinearity of the hair cell response.…”
Section: Acoustic Analysismentioning
confidence: 99%
“…First, to confirm that the rich harmonic distortion in the low-frequency RW response was produced by nonlinear mechanisms in the cochlea, and was not simply due to distortions present in the acoustic stimulus. To test this hypothesis, we employ a strategy identical to what Dallos & Sweetman (1969) used to compare the spatial distribution of harmonics in the CM, in order to show that the generation of the harmonic components were not simply a response to acoustic distortion. Secondly, the sources of the low-frequency CR were estimated with an analytic model.…”
Section: Introductionmentioning
confidence: 99%
“…Harmonic distortion of the CM is of two types: (i) the distortion due to a high (90 dB +) stimulus appears to occur by the generation of more longitudinal shear stresses (Tonndorf, 1958); i.e. the point along the cochlea of maximum partition vibration is different for the different frequency components, both of the fundamental, which is present in the stimulus, and of the harmonics, which are not present in the stimulus; and (2) the distortion due to moderately high (60 dB) stimulation appears due to radial shear stresses (Dallos & Sweetman, 1969;Worthington, 1970), i.e. the point along the cochlea of maximum partition vibration is approximately the same for the different frequency components, both for the fundamental which is present in the stimulus and for the harmonics which are not.…”
Section: Introductionmentioning
confidence: 99%
“…The fundamental, second and third harmonics are all plotted at the frequency of the fundamental. (FromDallos & Sweetman, 1969. )…”
mentioning
confidence: 99%