Discourses of (hetero)sexism in popular music

Abstract

This article analyses interview data to explore how participants negotiated discourses of (hetero)sexism in relation to the controversial pop song Blurred Lines. Our previous work, based on questionnaire data, interrogated interpretations of Blurred Lines (Handforth, Paterson, Coffey-Glover & Mills 2017) and showed how participants drew on discourses of sexism in their responses. Several participants experienced significant conflict in their interpretations, and here we focus on these more complex interpretations, considering the “small stories” (Bamberg & Georgakopoulou 2008) identified in follow-up interviews with participants. Individual narratives acted as mechanisms through which participants linked Blurred Lines to wider issues such as rape culture, drawing parallels between these and their own lives. Following research in queer linguistics (King 2014; Leap 2014; Motschenbacher 2010) our use of thematic analysis, corpus linguistic tools and narrative analysis highlights the various subject positions that participants negotiated in their storytelling, and how these positions both echoed and challenged normative understandings of gender and sexuality.

Illegitimation of same-sex sexualities in news reports of selected Nigerian newspapers

“…When the use of language foregrounds heteronormativity, alternative sexualities are marginalised or silenced. Studies on the discursive construction of heterosexuality show that non-heterosexuals are often subject to social normativity as non-normative sexualities (Coffey-Glover and Handforth, 2019; Hiramoto and Pua, 2019; Motschenbacher, 2012; Schneider, 2013). Central to studies in language and sexuality is finding out how language is involved in the discursive production of heterosexuality as normal or natural in everyday communication (Motschenbacher, 2019).…”