2019
DOI: 10.1177/1354856519831988
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Discourse or gimmick? Digital marginalia in online scholarship

Abstract: Marginalia has been studied as discourse, as historical documentation and as evidence of reader response. As many academic texts are now available electronically, it seems a natural step to incorporate the interactive, social functions of the Web 2.0. Digital marginalia in an academic publishing context has been a largely unsuccessful venture to this date, yet there are several promising developments. Tools have emerged that enable readers annotate online texts in an approximation of paper-based marginalia, wi… Show more

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Cited by 4 publications
(7 citation statements)
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“…Annotation, or the addition of a note to a text, is a practice intimately associated with reading, thinking, learning and scholarly discourse that predates, by hundreds of years, our digital era (Adler, 1940; Marshall and Brush, 2004; Skains, 2019; Unsworth, 2000). Today, annotation tools – and associated instructional arrangements and activity structures – help enable a range of learning practices such as reading comprehension, collaboration and peer review (Gao, 2013; Nokelainen et al , 2005; Schacht, 2015; Zywica and Gomez, 2008).…”
Section: Introductionmentioning
confidence: 99%
“…Annotation, or the addition of a note to a text, is a practice intimately associated with reading, thinking, learning and scholarly discourse that predates, by hundreds of years, our digital era (Adler, 1940; Marshall and Brush, 2004; Skains, 2019; Unsworth, 2000). Today, annotation tools – and associated instructional arrangements and activity structures – help enable a range of learning practices such as reading comprehension, collaboration and peer review (Gao, 2013; Nokelainen et al , 2005; Schacht, 2015; Zywica and Gomez, 2008).…”
Section: Introductionmentioning
confidence: 99%
“…Reuse and remix are probably most well-known within a scholarly environment through their connection to open licenses, brought on by the increasing adoption of Creative Commons licenses that allow (commercial) reuse or derivatives within academic publishing. 12 In the context of the open access movement, reuse falls under the distinction introduced around by Peter Suber and Stevan Harnad between gratis and libre open access, 13 capturing a positive connotation (describing kinds of access rather than kinds of access barriers) in relation to the removal of price and permission barriers as formulated in the Budapest Open Access Initiative (part of the BBB definition of open access). But the focus on reuse rights ultimately derives from computer science and from the open software movement, where the original gratis/libre distinction concerns software-or code.…”
Section: Reuse and Remixmentioning
confidence: 99%
“…As Kalir and Garcia note though, the power relations that determine who can and does write annotations and who can't and don't (who gets to annotate) "is bound by social norms, cultural practices, and enforced policies", which needs to be taken into consideration when we think about how we can cultivate participation and interaction around texts, especially within a scholarly communications realm (Kalir and Garcia 2021). This might explain why, as Lyle Skains sets out, notwithstanding several trials in the humanities, annotation as a form of public discourse "has not been a resoundingly successful venture" in these fields (Skains 2020). As Skains outlines, the culture of academia is to blame, which they summarise as "fears about being 'scooped', about blowback, about domineering commenters, and lack of time coalesce to result in extremely poor participation in this emerging form of discourse."…”
Section: Open Annotationmentioning
confidence: 99%
“…As Skains outlines, the culture of academia is to blame, which they summarise as "fears about being 'scooped', about blowback, about domineering commenters, and lack of time coalesce to result in extremely poor participation in this emerging form of discourse." In particular "time, effort, and accessibility" become barriers to participation in this form of academic engagement, especially in a context where annotations usually cannot be cited, which means that in the scholarly reward and reputation system "they offer no verifiable benefit to the contributor in either cultural capital or actual capital" (Skains 2020, Perkel 2015. At the same time, as Skains points out, the issue might have to do more with how publications themselves are perhaps not the best "platforms for interaction" because there is already ubiquitous social media (such as Twitter and mailing lists) on which publications are shared and discussions around them take place (next to our already established print-based environments dedicated to discussing books and research, e.g., conferences and book reviews).…”
Section: Open Annotationmentioning
confidence: 99%
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