It can be tempting to view digital publishing in terms of a fundamental paradigm shift; a "disruptive innovation" that breaks as radically with its past as did Gutenberg's printing press. 1 As commonly noted by economists and policy makers, the ability instantly to copy material between visual display units across vast geographical distances, after all, is of a fundamentally different character to the dissemination of the rivalrous materiality of print. Yet path dependencies and social histories from print forebears condition the ways in which publishing acts in the digital space. One need only consider that the metaphor of "scrolling," for instance, persists in the digital era, centuries after that form of writing was most frequently replaced by the pages of the codex. For publishing, the digital environment is at once a rupture and a continuation, reformed by "new" accelerating technologies, recapitulated by "old" traditions of the academy. Questions of intersecting traditions and technologies also have relevance, though, for the ongoing rapid transformations of research and learning that are taking place in the early twenty-first century. It is to this issue that this book devotes itself: how has the translation of publishing into the digital space, and the subsequent imaginaries, practices, and infrastructures of "openness" that have logically followed, been conditioned by histories, present discussions, and future projections of the scholarly communications environment? The contributors to this volume have provided a range of pithy responses to these questions, designed as stimuli for the interested reader. None of the chapters herein yields a conclusive historical or future direction but each frames, either through a theoretical lens or empirical engagement, an apparatus with which we can begin to understand the present moment for * * * The traditional story of open access goes like this: the most commonly cited moment of change for contemporary scholarly communications came in 2002 with the publication of the three declarations on open access: the "triple-Bs" of Bethesda, Budapest, and Berlin. 2 Open access, by these definitions, refers to conditions under which price and permission barriers for accessing peer-reviewed research work are removed. 3 That is, using the power of the internet and the World Wide Web to duplicate material at an infinitesimal cost-per-copy-using, that is, the move of publishing to the digital spacethe Open Access Movement proposed to make research work freely available to anyone who wishes to read it. Such a stance is premised on the idea that education is fundamentally different to other forms of commodity in two ways. First, in that education should be freely available to anyone, since a widespread well-educated population, worldwide, confers benefits upon us all. Second, in that higher education, where much research is produced, operates on an economic model that is conducive to the dissemination of such work. This is because academics are not paid based on the volume of their ...