2000
DOI: 10.1207/s15506878jobem4403_4
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Dimensions of Parasocial Interaction by Letter-Writers to a Popular Entertainment-Education Soap Opera in India

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Cited by 100 publications
(74 citation statements)
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“…PSI is seen by some scholars as a special type of interpersonal involvement (Rubin, 1985) and as motivation for selective exposure (Palmgreen, Wenner, & Rayburn, 1980). What initially was theorized as a "pseudorelationship" has been expanded by some scholars to encompass processes that extend beyond relational development (Sood, 2002;Sood & Rogers, 2000). Many expanded dimensions of PSI include other distinct variables.…”
Section: Parasocial Interactionmentioning
confidence: 99%
“…PSI is seen by some scholars as a special type of interpersonal involvement (Rubin, 1985) and as motivation for selective exposure (Palmgreen, Wenner, & Rayburn, 1980). What initially was theorized as a "pseudorelationship" has been expanded by some scholars to encompass processes that extend beyond relational development (Sood, 2002;Sood & Rogers, 2000). Many expanded dimensions of PSI include other distinct variables.…”
Section: Parasocial Interactionmentioning
confidence: 99%
“…Through a longer exposure period of television dramas, audiences not only contribute more time to watching episodes on a regular basis, but also invest more emotionally, following the interests of the characters and perhaps even behaviorally respond to the characters (S. Kim & Long, 2012). Audience members with a high degree of parasocial interaction may also seek personal relationships with the characters and the places in the stories to confirm their emotional attachment (Giles, 2002;Sood & Rogers, 2000). This emotional relationship to the television drama is developed and maintained over a period of time, which can be fulfilled by visiting and experiencing the film site (Beeton, 2005;Chen & Mele, 2017).…”
Section: The Viewing Experience Of Television Dramasmentioning
confidence: 99%
“…This refers to the extent to which audience members identify with the characters or other features of the television drama, such as a location or a community. Emotional interaction includes both identification with and affection for the characters and also emotional reaction to the production values of the television drama (S. Kim & Long, 2012;Sood, 2002;Sood & Rogers, 2000). The imaginative and emotional involvement of audiences forms personalized memory and symbolic dimensions of touristic spaces and plays an essential role in affecting attitudes toward portrayed locations (S. Kim, 2012a;Su et al, 2011).…”
Section: Audience Involvement and Television Drama-induced Tourism Momentioning
confidence: 99%
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“…12,13 An alternative to Cohen's explanation is that, rather than identifying with fictional characters, regular viewers form parasocial relationships with them. 14,15 Such relationships deepen the emotional impact of "interactions" with characters, and that may help to explain why stronger EE effects have been demonstrated among regular viewers of a show than among less frequent viewers. 16,17 Unsolicited viewer letters have been cited as anecdotal support for the parasocial relationship explanation.…”
Section: Possible Mechanisms Of Ee Effectsmentioning
confidence: 99%