Digitizing migration heritage:  A case study of a minority museum

Marselis, Randi

doi:10.7146/mediekultur.v27i50.3325

Cited by 6 publications

(7 citation statements)

References 8 publications

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“…However they also suffer drawbacks thanks to the very factors that contribute to their success such as the degree of involvement with participants and the challenges of effectively redistributing agency (Morse, Macpherson and Robinson, 2013). Within GLAM institutions such a devolution of power and responsibility may not always be unattainable without generating a series of intractable problems including: demand on staffing levels (Marselis, 2011); a ceding of curatorial authority provoking debate over the museum's message; a lack of alignment in terms of goals and degrees of control over the process; the fact that a number of the creative choices are made before the start of the collaborative phase, as well as the ambiguity around the role of the researcherdesigner as both adviser and participant (Holdgaard and Klastrup, 2014).…”

Section: Participatory Configurations In Academic Research With Glam mentioning

confidence: 99%

Framing collaborative processes of digital transformation in cultural organisations: from literary archives to augmented reality

Arrigoni

Schofield

Trujillo

2019

Museum Management and Curatorship

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At a time when it is particularly urgent to identify models of intersection across the digital and cultural sector to respond to an emergent funding and policy environment, this article contributes to a body of scholarly work around designing digital interventions for museums by identifying the role of cultural content in shaping design spaces for collaboration. The context of the article is a research project that brought together magical realist literature and the development of an Augmented Reality smartphone application realised through a public programme held at a museum of children's literature. This process created an open-ended design space within the organisation embedded into the development of public engagement workshops around magical realism and place making. It investigates how the cultural content (from archival material) occupied a key role in shaping technological development and suggests strategies that could grant autonomy and sustainability to cultural organisations in engaging in digital transformation.

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Section: Participatory Configurations In Academic Research With Glam mentioning

confidence: 99%

Framing collaborative processes of digital transformation in cultural organisations: from literary archives to augmented reality

Arrigoni

Schofield

Trujillo

2019

Museum Management and Curatorship

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“…A third concept at play in museums is co-interpretation, which involves users in ascribing meaning to materials in collections (Boehner et al , 2005; Marselis, 2011; Eklund, 2020), typically by interpreting existing materials in new ways. In considering how museums support learning, Yuan (2018) describes how co-interpretation may involve “interpersonal meaning-making in which learners' interpretative perspectives are influenced by their own experience and by interaction with the physical and social environment."…”

Section: Discussionmentioning

confidence: 99%

“…In the case of museums, curators are the customers of installation designers, with both being trained in different aspects of visitor experience design, while visitors are the customers of curators and are generally untrained designers (Prahalad and Ramaswamy, 2004). In the museum context, Artificial Intelligence for Engineering Design, Analysis and Manufacturing co-creation is broadly considered a process that involves usergenerated content (Grabill et al, 2009), engaging visitors in creating new "memory materials" for collections, potentially alongside processes of co-collection that acquire existing materials from communities (Marselis, 2011), and often involving social media (Holdgaard and Klastrup, 2014).…”

Section: How Data Inspires Co-designmentioning

confidence: 99%

Data-inspired co-design for museum and gallery visitor experiences

Darzentas

Cameron

Wagner

et al. 2022

AIEDAM

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The capture and analysis of diverse data is widely recognized as being vital to the design of new products and services across the digital economy. We focus on its use to inspire the co-design of visitor experiences in museums as a distinctive case that reveals opportunities and challenges for the use of personal data. We present a portfolio of data-inspired visiting experiences that emerged from a 3-year Research Through Design process. These include the overlay of virtual models on physical exhibits, a smartphone app for creating personalized tours as gifts, visualizations of emotional responses to exhibits, and the data-driven use of ideation cards. We reflect across our portfolio to articulate the diverse ways in which data can inspire design through the use of ambiguity, visualization, and inter-personalization; how data inspire co-design through the process of co-ideation, co-creation, and co-interpretation; and how its use must negotiate the challenges of privacy, ownership, and transparency. By adopting a human perspective on data, we are able to chart out the complex and rich information that can inform design activities and contribute to datasets that can drive creativity support systems.

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“…igal pool maailmas eriti tähtsaks. (Vt nt Ashton & Hamilton 2007;Marselis 2011;Henrich 2013. ) Migratsiooniga seotud arhiivid ühendavad eri riike, ent on samas olulised ka iga üksiku riigi rahvusliku ajaloo seisukohast (Creet 2011: 3) lisaks ümberasuja isikuandmetele ka muud temaga seonduvat teavet ja tema minibiograafia.…”

Section: Austraalia -üMberasujate Maaunclassified

“…) Migratsiooniga seotud arhiivid ühendavad eri riike, ent on samas olulised ka iga üksiku riigi rahvusliku ajaloo seisukohast (Creet 2011: 3) lisaks ümberasuja isikuandmetele ka muud temaga seonduvat teavet ja tema minibiograafia. Randi Marselis (2011) nimetab neid digitaalseteks mälestusmärkideks (digital monuments), kuna nende abil hoitakse au sees ümberasujate mälestust. Kevin Fewster (tsit Henrich, ilmumas) seevastu ennustab, et tulevikus muutuvad need "tõelisteks küberkalmistuteks" (veritable cyber cemetery).…”

Section: Austraalia -üMberasujate Maaunclassified

Pereajalugu internetiajastul: diasporaa-genealoogia ja jätkuv ajalookirjutusprotsess

Heimo¹

2014

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Artiklis käsitletakse pereajaloo viljelemise uusi vorme internetiajastul. Suguvõsauurimine on viimase kahe aastakümne jooksul muutunud üheks populaarsemaks harrastuseks. Samal ajal toimunud infotehnoloogia areng on võimaldanud huvi suurenemist pereajaloo vastu veelgi, kusjuures eriti just nn üle-piiri-peredele ehk hargmaistele peredele on muutus olnud murranguline ja inimesed otsivad oma suguvõsa juuri mitte ainult oma kodumaalt, vaid ka sugulaste kodumaalt kogu maakeral. Artiklis vaadeldakse teemat eeskätt Austraaliasse siirdunud Soome väljarändajate näitel. Austraalias on paljud mälestustega tegelevad organisatsioonid, arhiivid ja muuseumid, samuti institutsioonidest sõltumatud projektid hakanud aktiivselt koguma pereajalugusid ja väljarändajate mälestusi, käsitledes seda kui osa riigi mitmekultuurilisuse poliitikast.

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Digitizing migration heritage: A case study of a minority museum

Cited by 6 publications

References 8 publications

Framing collaborative processes of digital transformation in cultural organisations: from literary archives to augmented reality

Framing collaborative processes of digital transformation in cultural organisations: from literary archives to augmented reality

Data-inspired co-design for museum and gallery visitor experiences

Pereajalugu internetiajastul: diasporaa-genealoogia ja jätkuv ajalookirjutusprotsess

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