Digital storytelling

Rice, Carla

doi:10.4324/9780429469060-49

Cited by 11 publications

(9 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…For the videography project, we partnered with the Re•Vision Centre (founded and directed by Carla) to undertake the creative research iteratively by inviting researchers, artists and community members (not mutually exclusive groups) to come together to design a research process that centred marginalised, and in this case, pregnant and parenting people's, experiences, concerns and interests Mündel, 2019, 2018). Over the past decade, the Re•Vision Centre has partnered with researchers and activists on projects experimenting with a variety of storytelling methods (video, podcasting, creative nonfiction, digital fiction and more) that explore diverse lived experiences, including disability/difference, Indigeneity and schooling, eating distress and weight stigma in queer community, aging vitalities and more (Rice, 2020;Rice et al, 2020). The choice to use digital/multimedia storytelling as an integral methodological component for this work was purposeful.…”

Section: Moving Methodsmentioning

confidence: 99%

“…This work thus rests within a robust feminist storytelling tradition foregrounding alternative discourses as a means of talking back to normative standards which aim to simultaneously flatten difference while hypersurveilling non-normative bodies. An attempt to operationalise this 'talking back' and to open space for listening to and learning from story in the context of health care provision (Rice, 2020) is a central tenet of storied care.…”

Section: Introductionmentioning

confidence: 99%

See 1 more Smart Citation

A High-Risk Body for Whom? On Fat, Risk, Recognition and Reclamation in Restorying Reproductive Care through Digital Storytelling

Friedman

Rice

Lind

2020

Feminist Encounters: A Journal of Critical Studies in Culture a

Self Cite

View full text Add to dashboard Cite

This paper explores issues of weight stigma in fertility, reproduction, pregnancy and parenting through a fat reproductive justice lens. We engage with multimedia/digital stories co-written and co-produced with participants involved in Reproducing Stigma: Obesity and Women's Experiences of Reproductive Care. This mixed methods research project which took place between 2015-2018 used interview and video-making methods with women-identified and trans people, as well as interviews with healthcare providers and policymakers to investigate perceptions and operations of weight and other stigma in fertility and pregnancy care. We consider the ways in which reproductive risk is typically storied in healthcare and culture, and analyse multimedia/digital stories made by participant-video-makers which story reproductive wellbeing differently. We examine three major themes-on risk, on recognition of weight and other stigma, and on reclamation of bodies-that emerged as critical to these storytellers as they navigated fatphobia in reproductive care. We argue that just as healthcare practitioners strive to practice evidence-based care we must also put into practice storied care-to believe, respect and honour fat people's stories of their bodies and lives as fundamental to achieving equity and justice in reproductive healthcare.

show abstract

Section: Moving Methodsmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

A High-Risk Body for Whom? On Fat, Risk, Recognition and Reclamation in Restorying Reproductive Care through Digital Storytelling

Friedman

Rice

Lind

2020

Feminist Encounters: A Journal of Critical Studies in Culture a

Self Cite

View full text Add to dashboard Cite

show abstract

“…The exhibition development process was initially informed by a close reading of the literature on the power of story as a research methodology, a form of knowledge transfer, and a site to enact change (Douglas et al 2019; Rice & Mündel, 2018, 2019; Rice, 2020; Rice et al, 2015, 2017, 2020; Rice, Chandler, Liddiard, et al 2018; Rinaldi et al, 2016; Viscardis et al, 2019). But as Cherokee scholar and writer King (2003) reminds us: “Stories are wondrous things.…”

Section: Story/narrative/counter‐story Theorymentioning

confidence: 99%

Elements of a counter‐exhibition: Excavating and countering a Canadian history and legacy of eugenics

Kelly

Manning

Boye

et al. 2021

J History Behavioral Science

Self Cite

View full text Add to dashboard Cite

Into the Light, a recently mounted collectively curated museum exhibition, exposed and countered histories and legacies of 20th‐century “race betterment” pedagogies taught in Ontario's postsecondary institutions that targeted some groups of people, including Anishinaabe, Black, and other racialized populations, and disabled and poor people, with dehumanizing ideas and practices. This article advances understandings of the transformative potential of centralizing marginalized stories in accessible and creative ways to disrupt, counter, and draw critical attention to the brutal impacts of oppressive knowledge. The “counter‐exhibition” prioritized stories of groups unevenly targeted by such oppression to contest and defy singular narratives circulating in institutional knowledge systems of what it means to be human. The authors draw on feminist, decolonial and disability scholarship to analyze the exhibition's curation for the ways it collectively and creatively: (1) brought the past to the present through materializing history and memory in ways that challenged archival silences; and (2) engaged community collaboration using accessible, multisensory, multimedia storytelling to “speak the hard truths of colonialism” (Lonetree) while constructing a new methodology for curating disability and access (Cachia). The authors show how the exhibition used several elements, including counter‐stories, to end legacies of colonial eugenic violence and to proliferate accounts that build solidarity across differences implicated in and impacted by uneven power (Gaztambide‐Fernández).

show abstract

“…As critical disability studies scholars have noted, ableism itself is deeply entangled in our very definition of the human. Since the birth of humanist thought during the Enlightenment, "the human" has been imagined as a particular kind of bodily self -a species-typical, corporeal standard that has become a stand-in for the human (St. Pierre, 2015;Rice, 2020). Against this humanist ideal, disability "is cast as a diminished state of being human" (Kumari-Campbell, 2001, p. 44).…”

Section: Ableism and Humanist Idealsmentioning

confidence: 99%

Letting Bodies be Bodies: Exploring Relaxed Performance in the Canadian Performance Landscape

LaMarre

Rice

Besse

2021

SSJ

Self Cite

View full text Add to dashboard Cite

There is an increasing movement toward accessibility in arts spaces, including recent legislative changes and commitments at individual, organizational, and systemic levels to integrating access into the arts across Canada. In this article, we explore Relaxed Performance (RP) in the context of this movement. We present the results of a reflexive thematic analysis of interviews conducted with participants who completed RP training offered by the British Council to . understand the training’s effectiveness and impact. We explore the significance of the training, and of RP in general, and in relation to disability studies and cultural and political activism. We undertake this exploration against a backdrop of interrogating who RP is for and by. The themes we describe are: Committed to Access, Training is Critical, Inviting Bodies to be Bodies, and Imagining Audiences. These themes tell a story of how RP relates to broader access work, the importance of training grounded in and led by disability/difference, the need to consider the relationships between bodies and spaces, and the tensions inherent to billing RP as “for all.” We conclude with an exploration of possible modifications, enhancements, or theoretical imaginings that could help RP to become more radically open to difference as it emerges, shifts, and changes.

show abstract

Digital storytelling

Cited by 11 publications

References 0 publications

A High-Risk Body for Whom? On Fat, Risk, Recognition and Reclamation in Restorying Reproductive Care through Digital Storytelling

A High-Risk Body for Whom? On Fat, Risk, Recognition and Reclamation in Restorying Reproductive Care through Digital Storytelling

Elements of a counter‐exhibition: Excavating and countering a Canadian history and legacy of eugenics

Letting Bodies be Bodies: Exploring Relaxed Performance in the Canadian Performance Landscape

Contact Info

Product

Resources

About