Digital Audiovisual Platforms, Between Transnational Flows and National Frameworks

Bouquillion, Philippe

doi:10.1002/9781119687177.ch10

Cited by 4 publications

(4 citation statements)

References 1 publication

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…It was no surprise therefore that, when the time came to comment on the amended AVMSD, the position of the CSA-F regarding prominence was that this obligation needed to be clarified in the text or within guidelines issued (CSA-F, 2017). This is in line with the French government view of maintaining the regulatory framework in place and extending it to the various forms of audiovisual services – including those of foreign players – and the idea of relying on the transposition of the AVMSD to do so (Bouquillion, 2019).…”

Section: National Casessupporting

confidence: 66%

VoD platforms and prominence: a European regulatory approach

Leiva

2020

Media International Australia

View full text Add to dashboard Cite

In a scenario of abundance of digital contents, audiovisual works need to be easily discovered to be consumed. Prominence, therefore, becomes essential. In Europe, the idea of giving prominence became key to address how works can be promoted after the adoption of the Audiovisual Media Services Directive in 2007. In light of the amendment of this norm, this article provides an overview of the regulation regarding prominence of Video on Demand (VoD) services at the European Union (EU) level. The aim is to analyse its transposition into national provisions to identify different approaches and characterize them according to their implications for the general interest. It is concluded that to guarantee and justify that certain contents are easy to discover by citizens in an overwhelming digital world, the formulation of principles-based rules can be an appropriate solution.

show abstract

Section: National Casessupporting

confidence: 66%

VoD platforms and prominence: a European regulatory approach

Leiva

2020

Media International Australia

View full text Add to dashboard Cite

show abstract

“…Moreover, the Netflix original productions business model objective intent to invest in the development and production in different countries to establish a domain in global and local markets, which poses a threat for audio-visual diversity (García-Leiva, 2019). For instance, a German production such as Dark (Netflix, 2017(Netflix, -2020 or a Spanish production such as La Casa de Papel (Netflix, 2017(Netflix, -2021, upon their good reception by the Mexican market, generate a series of processes in which the production of original content by Netflix increases its value in the global markets, specially, by owning the exclusive rights of shows or films that have the possibility of attracting new subscribers and establishing protection barriers against the competition (Bouquillion, 2019).…”

Section: Discussionmentioning

confidence: 99%

Consumo de Netflix en México durante la Pandemia de Covid-19

Curtis

2023

MEDCOM

View full text Add to dashboard Cite

La pandemia de Covid-19 ha generado nuevas interacciones y cambios en las prácticas y hábitos de los usuarios de Netflix en México, estableciendo agencias que incluyen novedosas relaciones sociales y culturales. En esta línea de investigación, la intención de este artículo es identificar estos cambios y transformaciones, así como los “circuitos de poder” desarrollados por Netflix para producir, distribuir y vender sus contenidos audiovisuales. A partir del uso y la aplicación de una metodología de corte cuantitativo descriptivo se obtuvieron indicadores sobre el consumo regular y cotidiano de Netflix en México durante la pandemia después de aplicar cuestionarios a usuarios de la plataforma. Las principales observaciones del estudio distinguen una sólida integración de Netflix a las actividades cotidianas de consumo cultural, que consolida su poder, hegemonía y predominio en el mercado mexicano. Los principales hallazgos destacan el incremento en el uso de Netflix durante la pandemia de Covid-19, un aumento selectividad en los contenidos, mayor acceso compartido, un uso intensivo de los mecanismos de recomendación de la plataforma, el uso del fandom como base datos y el afianzamiento de intereses corporativos.

show abstract

“…Scholarship on transnational streaming platforms can be roughly divided into studies that take a comprehensive approach to the medium (Bouquillion 2020;Carelli and Garofalo 2020;Chalaby and Plunkett 2020;Hutchins et al 2019;Lotz 2018) and focused analyses of a specific company. The latter have been dominated by research on Netflix, which is understandable considering the company's aggressive and, in many regions, pioneering efforts for international expansion.…”

Section: Global Streaming Platforms and The Local Mediamentioning

confidence: 99%

Historical Drama in the Time of Global Streaming Platforms: Envisioning Transition in Mr. Sunshine

Kim

2021

Television & New Media

View full text Add to dashboard Cite

This article examines 2018 South Korean historical drama Mr. Sunshine as an example showcasing the impact of global streaming platforms on local television production. As a locally produced show targeting the international market and later purchased by Netflix, Mr. Sunshine offers an interesting case study of the local industry’s response to changes brought about by global streaming services. This article analyzes how the creators’ acute awareness of the threats and opportunities posed by the increasingly transnationalizing media industry is reflected in the text of the historical drama set in the time of modernization and the approaching Japanese occupation. It argues that Mr. Sunshine’s visual and narrative construction of early twentieth-century Korea, which emphasizes the unrealized potential of transitional times and Korean people’s agency in shaping their own history, indicates a perceived parallel between the setting of the show and the conditions of its creation.

show abstract

Digital Audiovisual Platforms, Between Transnational Flows and National Frameworks

Cited by 4 publications

References 1 publication

VoD platforms and prominence: a European regulatory approach

VoD platforms and prominence: a European regulatory approach

Consumo de Netflix en México durante la Pandemia de Covid-19

Historical Drama in the Time of Global Streaming Platforms: Envisioning Transition in Mr. Sunshine

Contact Info

Product

Resources

About