Differential associations of leisure music engagement with resilience: A network analysis

Koehler, Friederike; Schäfer, Sarah; Lieb, Klaus; Wessa, Michèle

doi:10.1016/j.ijchp.2023.100377

Cited by 2 publications

(4 citation statements)

References 50 publications

(54 reference statements)

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“…We use all data available for music engagement and affect and report the respective study measures. Data from the baseline assessment on the (cross-sectional) association of quantitative and qualitative music engagement with resilience have been used for a previous publication (Koehler et al, 2023a) and were not relevant to the current longitudinal research question. This study’s design and its analysis were not preregistered.…”

Section: Methodsmentioning

confidence: 99%

“…Since we were interested in a longitudinal research question, we included longitudinal data from eight weekly surveys in our analyses. Findings on the baseline data regarding the (cross-sectional) link between quantitative and qualitative music engagement and resilience (factors) have been published elsewhere (Koehler et al, 2023a). A total of 585 respondents participated in the baseline assessment.…”

Section: Sample Selectionmentioning

confidence: 99%

“…This study's design and its analysis were not preregistered. Data and analysis code are available from the Open Science Framework (https:// osf.io/t9zn7/?view_only=6a6bef8df3e34370b43304afd63a3188) (Koehler et al, 2023b).…”

Section: Transparency and Opennessmentioning

confidence: 99%

“…Specifically, the ways in which people engage with music to regulate their moods can be either maladaptive or adaptive for individuals (Thomson et al, 2014). For instance, the music-based mood regulation strategies discharge (i.e., using music to express negative emotions) and diversion (i.e., using music to forget unwanted feelings and thoughts) have been linked to reduced optimism and mindfulness, while entertainment (i.e., using music to enhance good mood) was associated with higher perceived social support (Koehler et al, 2023a). Correspondingly, research on general emotion regulation has diverged from a uniform (in-)efficacy of a particular strategy to a more nuanced approach of regulatory flexibility (Bonanno & Burton, 2013).…”

Section: Affect Dynamicsmentioning

confidence: 99%

See 3 more Smart Citations

The interplay between music engagement and affect: A random-intercept cross-lagged panel analysis.

Koehler,

Schäfer,

Lieb

et al. 2024

Emotion

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Engagement with music has the capacity to influence and be influenced by affective experiences. Although cross-sectional and experimental research provides evidence that music engagement is related to higher positive and lower negative affect, few studies have investigated the bidirectional nature of this relationship over time. The present longitudinal study, therefore, examined the interplay between passive and active music engagement and affect using random-intercept cross-lagged panel analysis. Over 8 weeks in 2022, 428 participants regularly engaging with music completed weekly online surveys on quantitative music engagement (i.e., time spent with music listening/music making), qualitative music engagement (i.e., use of music listening/music making for mood regulation) as well as positive and negative affect. Results revealed crosslagged associations between music engagement and negative affect, but not positive affect: regarding quantitative music engagement, more time spent with music listening (but not music making) was related to less negative affect than usual at the following measurement. Results on qualitative music engagement showed that weeks with more negative affect than usual were followed by an increased use of music listening and music making for mood regulation. Our findings emphasize the bidirectional nature of the relationship between music engagement and affect corroborating the significant role of music engagement in affect regulation. Future research should replicate these findings with a more diverse sample regarding age, sex, ethnicity, education, and socioeconomic status. Additionally, further studies could examine individual and contextual factors and adequate measurement time points for further investigation of bidirectional affective processes involved in music engagement.

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Section: Methodsmentioning

confidence: 99%

Section: Sample Selectionmentioning

confidence: 99%

Section: Transparency and Opennessmentioning

confidence: 99%