Differences in knowledge, uncertainty, and social context  in four medical TV series from Taiwan, Japan, South Korea and the United States

TV series have gained both economic and cultural relevance. Their development over time can hardly be traced back to the simple programmatic action of creative intentionality. Instead, TV series might be studied as narrative ecosystems with emergent trends and patterns. This paper aims to boost quantitative research in the field of media studies, first considering a comparative and data-driven study of the narrative features in the US medical TV series, one of the most popular and longest-running genres on global television. Based on a corpus of more than 400 h of video, we investigate the storytelling evolution of eight audiovisual serial products by identifying three main narrative features (i.e., isotopies). The implemented schematization allows to grasp the basic components of the social interactions showing the strength of the medical genre and its ability to rebuild, in its microcosm, the essential traits of the human macrocosm where random everyday life elements (seen in the medical cases plot) mix and overlap with working and social relationships (professional plot) and personal relationships (sentimental plot). This study relies on data-driven research that combines content analysis and clustering analysis. It significantly differs from traditional studies regarding the narrative features of medical dramas and broadly the field of television studies. We proved that the three isotopies are good descriptors for the medical drama genre and identified four narrative profiles which emphasize the strong stability of these serial products. Contrary to what is often taken for granted in many interpretative studies, creative decisions rarely significantly change the general narrative aspects of the wider series.

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Being the environment: Conveying environmental fragility and sustainability through Indigenous biocultural knowledge in contemporary Indigenous Australian science fiction

Richards,

Jürgens

2021

Journal of Science &Amp; Popular Culture

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In contemporary Indigenous Australian fiction, all (non-)human animals, plants and the land are interconnected and interdependent. They are aware that they are not in the environment but are the environment. The planet and its non-human inhabitants have a creative agency and capacity for experience that demands our ethical consideration. In this article we investigate how Ambelin Kwaymullina’s Tribe novels and Ellen van Neerven’s novella Water empower environmental awareness by promoting sustainability and protection of the environment – within their fictional worlds and beyond. We argue that the human–nature relationship explored in these science fiction texts conveys the importance of Indigenous biocultural knowledge for resolving twenty-first-century global challenges. We clarify the role of fictional texts in the broader cultural debate on the power and importance of Indigenous biocultural knowledge as a complement to western (scientific) understanding and communication of environmental vulnerability and sustainability. Contemporary Indigenous Australian literature, this article shows, evokes sympathy in readers, inspires an ecocentric view of the world and thus paves the path for a sustainable transformation of society, which has been recognized as the power of fiction. Indigenous Australian fiction texts help us to rethink what it means to be human in terms of our relationship to other living beings and our responsibility to care for our planet in a holistic and intuitive way.

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Differences in knowledge, uncertainty, and social context in four medical TV series from Taiwan, Japan, South Korea and the United States

Cited by 3 publications

References 23 publications

On the Aesthetic Facets of Ice Urgency: Some Final Reflections

On the Aesthetic Facets of Ice Urgency: Some Final Reflections

Modeling narrative features in TV series: coding and clustering analysis

Being the environment: Conveying environmental fragility and sustainability through Indigenous biocultural knowledge in contemporary Indigenous Australian science fiction

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