Diegetic existence: transmedia instauration in artists’ cinema
Jade de Cock de Rameyen
Abstract:This article engages with differences of experiences generated by transmedia migration of filmic content in artist-filmmaker Albert Serra's two-channel installation Personalien and feature film Liberté (2019). Made from the same raw footage, the films were seen as iterations of one fictional world. How is diegesis transformed by Serra's distinct negotiation of viewers' patience and perversity at the museum and the film theatre? Responding to this issue requires retrieving Anne and Etienne Souriau's concept of … Show more
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