Die Wahrheit der Kunst

Groys, Boris

doi:10.1515/para-2017-0001

Cited by 5 publications

(7 citation statements)

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“…advertising and public relations). Art theorist Boris Groys (2003) captures the cultural side of the economic power shift toward demand, suggesting that economic rationality, not morality, has decided the historic fight between work asceticism and hedonic consumption.…”

Section: Twisted Roles Of Consumers and Producersmentioning

confidence: 99%

“…Vanguard artists anticipated this development, shifting their role as artists from ideal producer to exemplary consumer ( Groys, 2003 ). Romanticism saw the artist as the secular creator: epitomizing the opposite of estranged labor, the ideal producer combined virtuosity (i.e.…”

Section: Twisted Roles Of Consumers and Producersmentioning

confidence: 99%

“…Today, advanced choosing and using (i.e. consuming) is artists’ primary domain ( Groys, 2003 ). Consequently, many artists reject the notion of creativity as an economic concept, insisting instead that taking a critical stance is contemporary artists’ raison d’être ( Van den Berg, 2009 ).…”

Section: Twisted Roles Of Consumers and Producersmentioning

confidence: 99%

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Crowdsourcing: Global search and the twisted roles of consumers and producers

Bauer

Gegenhuber

2015

Organization

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Crowdsourcing spreads and morphs quickly, shaping areas as diverse as creating, organizing, and sharing knowledge; producing digital artifacts; providing services involving tangible assets; or monitoring and evaluating. Crowdsourcing as sourcing by means of ‘global search’ yields four types of values for sourcing actors: creative expertise, critical items, execution capacity, and bargaining power. It accesses cheap excess capacities at the work realm’s margins, channeling them toward production. Provision and utilization of excess capacities rationalize society while intimately connecting to a broader societal trend twisting consumers’ and producers’ roles: leading toward ‘working consumers’ and ‘consuming producers’ and shifting power toward the latter. Similarly, marketers using crowdsourcing’s look and feel to camouflage traditional approaches to bringing consumers under control preserve producer power.

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Section: Twisted Roles Of Consumers and Producersmentioning

confidence: 99%

Section: Twisted Roles Of Consumers and Producersmentioning

confidence: 99%

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Crowdsourcing: Global search and the twisted roles of consumers and producers

Bauer

Gegenhuber

2015

Organization

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“…But in doing so we should avoid easy generalizations of the kind that claims the work of art is a commodity like any other (Groys 2003;Jameson 1991, 4). Such a generalization only leads into a cul-de-sac if we don't first make clear what a commodity is, since being a commodity bears no explanation of itself.…”

Section: Resultsmentioning

confidence: 99%

“…3. Groys (2003) develops further his assumption of the artist as a consumer. For a critique of the current (mis)use of the term "consumption," see Graeber (2007).…”

Section: Boris Groys and The Marketmentioning

confidence: 91%

Artistic Labor and the Production of Value: An Attempt at a Marxist Interpretation

Durán¹

2016

Rethinking Marxism

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Über das literarische Protokoll und seine Ästhetik

Drügh

2023

AdminiStudies. Formen Und Medien Der Verwaltung

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ZusammenfassungDem Beitrag geht es um zwei Aspekte des Protokolls, die über seine direkte Funktion hinausgehen. Dies sind erstens die durchaus emotionale Geste, die je nach Kontext vom vermeintlich so nüchternen Protokoll oder genauer vom Akt des Protokollierens vollführt wird. In Verbindung damit steht zweitens zur Debatte, inwiefern die Logik des Protokolls, sein Anspruch auf Wahrheit sowie auf ihre prinzipiell mögliche Weiterverhandlung in einer erweiterten Öffentlichkeit, spannungsvoll mit der Grundstruktur literarischer Ästhetik verbunden sind. Strukturell geraten dadurch zwei Probleme protokollbasierter Verfahren in den Blick: einerseits wie das Ziel des Protokolls, Mitteilbarkeit und Weiterverhandlung zu generieren, durch den Duktus formaler Nüchternheit und apolitischer Unmittelbarkeit, durch sein anästhetisches Format, konterkariert wird; und andererseits inwiefern Literatur das Protokoll durch das Ausspielen der ästhetischen Karte für die wesentlich erforderte Weiterverhandlung öffnen und dadurch in eigener Sache einen Gültigkeitsanspruch außerhalb der eigenen literarischen Sphäre behaupten kann.

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Die Wahrheit der Kunst

Cited by 5 publications

References 0 publications

Crowdsourcing: Global search and the twisted roles of consumers and producers

Crowdsourcing: Global search and the twisted roles of consumers and producers

Artistic Labor and the Production of Value: An Attempt at a Marxist Interpretation

Über das literarische Protokoll und seine Ästhetik

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