Die Sowjetunion 1917-1991

Hildermeier, Manfred

doi:10.1524/9783486701128

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Renewed Repression1

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2007

2018

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“…Party and government allowed the people a brief respite. 43 But at the end of 1946 nearly all prominent jazz musicians who enjoyed popularity during the war were arrested. It was no different for representatives of other popular art, as well as non-Russian musicians: "It was clearer than in the preceding attacks, that the concept of the enemy was highly undefined.…”

Section: Renewed Repressionmentioning

confidence: 99%

Vilified, Venerated, Forbidden: Jazz in the Stalinist Era

Lücke¹

2007

Music and Politics

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Section: Renewed Repressionmentioning

confidence: 99%

Vilified, Venerated, Forbidden: Jazz in the Stalinist Era

Lücke¹

2007

Music and Politics

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From a Real Home to a Nation's Brand: On Stationary and Traveling Yurts

Krebs¹

2012

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Even though the yurt almost completely lost its relevance as a home for most of the Kyrgyz people during the twentieth century, it is still a central part of today's nation-branding in the Kyrgyz Republic. The article outlines how the yurt and the life of yurt makers changed with the decline of nomadism as an everyday way of life during the Soviet Union and the increasing interest in yurts as symbols in a national as well as a transnational representation (and often romanticization) of Central Asian nomadism. Хотя в течение XX в. юрта практически потеряла свое значение дома для большинства киргизов, она остается важнейшим элементом национального брендинга в современной Республике Киргизстан. В статье показывается, что сама юрта и жизнь ее производителей изменились с упадком номадизма как образа жизни в советской Киргизии. Автора также интересует возникновение постсоветского интереса к юрте как символу, использующемуся в национальной и транснациональной репрезентации, а также тенденция к романтизации юрты и центральноазиатского номадизма в целом.

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2018

Nach Moskau Und Zurück

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Die Sowjetunion 1917-1991

Cited by 3 publications

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Vilified, Venerated, Forbidden: Jazz in the Stalinist Era

Vilified, Venerated, Forbidden: Jazz in the Stalinist Era

From a Real Home to a Nation's Brand: On Stationary and Traveling Yurts

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