Die Leidenschaft des Sammelns

Holzer, Gerhard; Horst, Thomas; Svatek, Petra

doi:10.1553/0x002498ec

Cited by 3 publications

(2 citation statements)

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“…Hochstetter made careful preparation for his research. His equipment lists survive and these include a Lamont magnetic travel theodolite loaned by Stuttgart physicist Johann Gottlieb Nörrenberg (1787−1861) and a barometer manufactured by the Viennese company Kapeller; loaned by the Austrian Imperial Geological Survey (Holzer, 2010).…”

Section: Survey Equipmentmentioning

confidence: 99%

Ferdinand von Hochstetter’s November 1860 Folio of New Zealand survey data and the location of the Pink and White Terraces

Bunn¹,

Nolden²

2023

Preprint

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This research utilises Ferdinand von Hochstetter’s unpublished November 1860 Folio of survey data from the first major terrestrial topographical and geological survey in New Zealand. The Folio data enable the reconstruction of the survey across the North Island to Lake Rotomahana, with unique bearings to the lost Pink and White Terraces. Originally prepared for the purposes of cartographic production in Gotha, Germany, the Foliofeatures marginalia by cartographer August Petermann. It also validates Hochstetter’s 1859 field diaries and Rotomahana Basin topography navigating to the Terraces. The Folio survey coordinates suggest the Pink and White Terrace springs lie buried beneath the shores of Lake Rotomahana. The Folio locations are consistent with earlier surveyDiary iterations. They triangulate with the Basin topography and align with Mātauranga Māori records. Complementary with other recently published research, the Folio data provides historical primary source evidence in support of the search for the lost Terraces at Rotomahana.

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Section: Survey Equipmentmentioning

confidence: 99%

Ferdinand von Hochstetter’s November 1860 Folio of New Zealand survey data and the location of the Pink and White Terraces

Bunn¹,

Nolden²

2023

Preprint

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show abstract

“…Die Ausdruckstänzerin Hilde Holger (1905 gründete eine Tanzgruppe für Kinder und Jugendliche mit Behinderung, an der auch ihr eigener Sohn, der das Down-Syndrom hat, teilnahm (Hirschbach/Takvorian 1990). Ihr Ansatz basiert auf den kreativen Methoden des Ausdruckstanzes, wie sie ihn von der Wienerin Gertrud Bodenwieser (Holzer 2010). Seit den 1970er Jahren schlossen sich auch im deutschsprachigen Raum Menschen mit und ohne Behinderung zusammen, um gemeinsam zu tanzen.…”

Section: Einblicke In Die Tanzpraxisunclassified