Reading Dickens Differently 2019
DOI: 10.1002/9781119602262.ch6
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Dickens and Lawrence

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“…Perhaps some democratic organizations, such as freedom of speech and publishing, had, in some way, power over the grotesque. Hollington (1984) explains Bakhtin's articulation of the grotesque as "ambivalent and contradictory... ugly, monstrous, hideous from the point of view of 'classic' aesthetics, that is, the aesthetics of the ready-made and the completed" (5). Hence, the strange quality of the grotesque, as some critics think, is the source of the distortion of the art form of the literary work.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Perhaps some democratic organizations, such as freedom of speech and publishing, had, in some way, power over the grotesque. Hollington (1984) explains Bakhtin's articulation of the grotesque as "ambivalent and contradictory... ugly, monstrous, hideous from the point of view of 'classic' aesthetics, that is, the aesthetics of the ready-made and the completed" (5). Hence, the strange quality of the grotesque, as some critics think, is the source of the distortion of the art form of the literary work.…”
Section: Literature Reviewmentioning
confidence: 99%