“Diam!” (Be Quiet!)

Groth, Sanne Krogh

doi:10.5040/9781501338823.0010

Cited by 4 publications

(2 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…This book not only delves into the subject matter of noise music in Southeast Asia but also features an examination of the Indonesian noise scene, providing an insight into the country’s noise movement and its cultural and social context. A subsequent publication is The Bloomsbury Handbook of Sound Art, edited by S. K. Groth and H. Schulze in 2020. It offers a perspective on sound art in Southeast Asia, including its influences and the topic of environmental noise.…”

Section: Introductionmentioning

confidence: 99%

Algorave Music Practice in Indonesia: Paguyuban Algorave

Hartono,

Sutanto

2023

Org. Sound

View full text Add to dashboard Cite

This article examines the creative practice of Algorave music in Indonesia, with a focus on the Paguyuban Algorave community based in Yogyakarta. The Algorave movement, which has gained international recognition in recent years, has been observed to amalgamate with local culture, which created a unique musical approach. The research presented in this article delves into the distinctive musical approach of the Paguyuban Algorave community and aims to understand the reasons for its widespread acceptance compared with other forms of computer-aided music. The article also explores the future direction of the Algorave movement in Indonesia, considering the antecedents of Indonesian contemporary music that have contributed to its development in the country. Furthermore, this study investigates the influence of communal and hereditary factors on the community’s interactions, communication and knowledge-sharing.

show abstract

Section: Introductionmentioning

confidence: 99%

Algorave Music Practice in Indonesia: Paguyuban Algorave

Hartono,

Sutanto

2023

Org. Sound

View full text Add to dashboard Cite

show abstract

“…On the opposite, the materially and technologically inclined field of sound studies has remained largely Eurocentric so far, arguably sustaining universal categories of listening subjects (secular, white, and middle-class), of urban spaces characterized by sharp divisions between public and private space (the global city), and of notions of sound itself (Steingo and Sykes 2019). Despite a growing interest in "indigenous" and "ethnic" knowledge and expression, institutional sound art equally seems reluctant to question the coloniality of its modernist canon, sustained by a number of "invisible" aesthetic conventions (Groth 2020). As Dylan Robinson (2020) puts it, the structure of western aesthetics might be enriched by other sights and sounds, but without unsettling the worldview it supports.…”

mentioning

confidence: 99%

Sawt, Bodies, Species.

Aubry¹

2023

View full text Add to dashboard Cite

show abstract

Introduction

Dodds

2023

Music and the Cultural Production of Scale

View full text Add to dashboard Cite

Scales are neither natural nor neutral but actively and constantly produced and practised, with real political effects. Human-geographical and anthropological scholarship has demonstrated this with special attention to political-economic and social processes, but the project of understanding how cultural practices produce scale remains unfinished. A review of music research shows that it tends to use scalar categories (e.g. local, urban, regional, global, world) in varyingly critical ways, and as a field it therefore has both most to gain from and most to offer to a fuller conceptualisation of the cultural production of scale. In particular, music scholars should treat scales as open questions, and as phenomena potentially produced through musical practices, rather than as stable categories upon which to base, or with which to frame, other arguments. Attending to how music harnesses, manipulates, contests and constructs the scales that have been more commonly used to frame and explain it enables a richer musicological analysis and a deeper understanding of the world’s geographies.

show abstract

“Diam!” (Be Quiet!)

Cited by 4 publications

References 0 publications

Algorave Music Practice in Indonesia: Paguyuban Algorave

Algorave Music Practice in Indonesia: Paguyuban Algorave

Sawt, Bodies, Species.

Introduction

Contact Info

Product

Resources

About