2017
DOI: 10.1017/cnj.2017.46
|View full text |Cite
|
Sign up to set email alerts
|

Diachronie de la négation phrastique en français : apports d'une approche sociohistorique

Abstract: This article examines the evolution of Old French sentential negation from a sociohistorical perspective. In Old French, simple negation (ne + verb) comes increasingly into competition with the innovative reinforced or bipartite variant (ne + verb + pas/mie/point). Starting from the hypothesis that the distribution of conservative and innovative forms varies by language register, frequencies of each form are analyzed in represented speech and in narrative, two distinct registers within a single text. In some t… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
0
0

Year Published

2021
2021
2022
2022

Publication Types

Select...
2

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 28 publications
(51 reference statements)
0
0
0
Order By: Relevance
“…Such comparisons have also been encouraged by the latter work on "represented orality" in literary texts (Marchello-Nizia 2012, Guillot et al 2015, Guillot-Barbance et al 2017, Lefeuvre & Parussa 2020. These studies have contributed to establish that dialogue is generally less conservative than narration (Glikman & Mazziotta 2014, Mazziotta & Glikman 2019; see also Donaldson 2018). As compared to narrative sequences, dialogue tends to contain a lower rate of declining features, and a higher rate of emerging features.…”
Section: Introductionmentioning
confidence: 98%
“…Such comparisons have also been encouraged by the latter work on "represented orality" in literary texts (Marchello-Nizia 2012, Guillot et al 2015, Guillot-Barbance et al 2017, Lefeuvre & Parussa 2020. These studies have contributed to establish that dialogue is generally less conservative than narration (Glikman & Mazziotta 2014, Mazziotta & Glikman 2019; see also Donaldson 2018). As compared to narrative sequences, dialogue tends to contain a lower rate of declining features, and a higher rate of emerging features.…”
Section: Introductionmentioning
confidence: 98%