Di Teodoro, Francesco Paolo. Lettera a Leone X di Raffaello e Baldassarre Castiglione

Soranzo, Matteo

doi:10.33137/rr.v43i3.35329

Cited by 2 publications

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“…In the practice of drawing, the projective canon, which derived from Vitruvian readings, from Bramante's experiences, and, indirectly, from Leonardo's studies, asserted itself at the beginning of the 16th century, especially in the Roman area, and is formalized in Raphael's provisions for the survey of Roman monuments [20]. Here he proposed to The corner pillar of Palazzo Prosperi Sacrati can therefore be interpreted as a stone representation of a column staged with the contribution of conventional "signs" used in the architects' drawings.…”

Section: From Drawing To Buildingmentioning

confidence: 99%

“…In the practice of drawing, the projective canon, which derived from Vitruvian readings, from Bramante's experiences, and, indirectly, from Leonardo's studies, asserted itself at the beginning of the 16th century, especially in the Roman area, and is formalized in Raphael's provisions for the survey of Roman monuments [20]. Here he proposed to use a combination of plan, elevation, and section, which ideally replaces the Vitruvian scaenographia, formerly relegated by Alberti to painters.…”

Section: From Drawing To Buildingmentioning

confidence: 99%

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Borromini, the Casa dei Filippini and the Two-Way Relationship between Representation and Architectural Form

Colonnese,

Carpiceci

2023

Architecture

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The stratified relationship and mutual influence between the representation of the project and the form of built architecture manifest above all in the facade design by virtue of its natural rhetorical vocation. This is the case of the Casa dei Filippini, designed by Francesco Borromini in the second quarter of the 17th century in Rome. The perspective niche in its façade appears to be a literal three-dimensional transcription of a graphic convention adopted in the presentation drawings. To understand the context and the reasons for this “translation”, this article historically frames the theme of the facade intended as a mask and its implicit representational qualities, which can configure it as an autonomous work from the building itself; it frames the interferences between architecture and its image in the era of the advent of pseudo-projective representation and the resistance it finds; it focuses on the facade of the Casa dei Filippini and its perspective niche, here surveyed and photo-modeled to determine the size and relationship between the actual and the perceived shape. Through these methodological and operational premises, the article reconstructs the original center of the façade deformation and analyzes the fictitious value of the facade, as testified by Borromini’s attempt to orient its perception through the drawings of his Opus Architectonicum and those derived from them, eventually confirming the two-way relationship between form and representation.

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Section: From Drawing To Buildingmentioning

confidence: 99%

“…In the practice of drawing, the projective canon, which derived from Vitruvian readings, from Bramante's experiences, and, indirectly, from Leonardo's studies, asserted itself at the beginning of the 16th century, especially in the Roman area, and is formalized in Raphael's provisions for the survey of Roman monuments [20]. Here he proposed to use a combination of plan, elevation, and section, which ideally replaces the Vitruvian scaenographia, formerly relegated by Alberti to painters.…”

Section: From Drawing To Buildingmentioning

confidence: 99%

Borromini, the Casa dei Filippini and the Two-Way Relationship between Representation and Architectural Form

Colonnese,

Carpiceci

2023

Architecture

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“…Nella vasta bibliografia sulla Lettera, si ricorda quiDi Teodoro 2003;Shearman 2003, 500-45. 54 Pagliara 1986Günther 2002.…”

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32 | 2023

2023

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I testi degli articoli qui raccolti sono distribuiti con Licenza Creative Commons Attribuzione 4.0 Internazionale. The texts of the articles here collected are licensed under a Creative Commons Attribution 4.0 International License. cbk nd Le immagini sono distribuite con Licenza Creative Commons Attribuzione-Non commerciale-Non opere derivate 4.0 Internazionale. Si rinvia alle didascalie per i crediti specifici. The images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Please refer to the captions for the credits of each image.Certificazione scientifica delle Opere pubblicate da Edizioni Ca' Foscari: tutti gli articoli pubblicati hanno ottenuto il parere favorevole da parte di valutatori esperti della materia, attraverso un processo di revisione doppia anonima, sotto la responsabilità del Comitato scientifico della rivista. La valutazione è stata condotta in aderenza ai criteri scientifici ed editoriali di Edizioni Ca' Foscari. Scientific certification of the works published by Edizioni Ca' Foscari: all the articles published in this issue have received a favourable opinion by subject-matter experts, through an anonymous double-blind peer review process under the responsibility of the Scientific Committee of the journal. The evaluations were conducted in adherence to the scientific and editorial criteria established by Edizioni Ca' Foscari.

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Di Teodoro, Francesco Paolo. Lettera a Leone X di Raffaello e Baldassarre Castiglione

Cited by 2 publications

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Borromini, the Casa dei Filippini and the Two-Way Relationship between Representation and Architectural Form

Borromini, the Casa dei Filippini and the Two-Way Relationship between Representation and Architectural Form

32 | 2023

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