2020
DOI: 10.1016/j.neuroimage.2020.117166
|View full text |Cite
|
Sign up to set email alerts
|

Developing a neurally informed ontology of creativity measurement

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1

Citation Types

0
17
0

Year Published

2020
2020
2023
2023

Publication Types

Select...
7
2

Relationship

0
9

Authors

Journals

citations
Cited by 27 publications
(17 citation statements)
references
References 37 publications
0
17
0
Order By: Relevance
“…We identified how tasks were inter-related using a bottom-up feature-based approach (assuming equally important features), and how these inter-relationships give rise to overarching prosocial categories. This is in contrast to the more top-down approaches based on expert-models that have been used to map cognitive constructs like creativity ( Kenett et al. , 2020 ), cognitive control ( Lenartowicz et al.…”
Section: Limitations and Future Directionsmentioning
confidence: 96%
“…We identified how tasks were inter-related using a bottom-up feature-based approach (assuming equally important features), and how these inter-relationships give rise to overarching prosocial categories. This is in contrast to the more top-down approaches based on expert-models that have been used to map cognitive constructs like creativity ( Kenett et al. , 2020 ), cognitive control ( Lenartowicz et al.…”
Section: Limitations and Future Directionsmentioning
confidence: 96%
“…Perhaps part of what made the creativity crisis myth so influential, is the historical (over)reliance on the TTCT as one "gold standard" of creativity assessment and erroneous interpretation of its scores as a pure measure of creativity. While the TTCT surely captures some important aspects of the potential for creativity, it is now well understood that no single measure of creative potential or performance can capture the whole creativity phenomenon (e.g., Baer, 2011;Barbot et al, 2019;Kenett et al, 2020;Said-Metwaly, Kyndt, & Van den Noortgate, 2017a). This has been highlighted since the inception of the systematic study of creativity (e.g., Guilford, 1966).…”
Section: Is the Creativity Crisis A Measurement Crisis?mentioning
confidence: 99%
“…The creative musician generates a unique combination of sounds, the creative chef discovers an original combination of flavors, and so on. But novelty isn’t everything: according to many, the invention must exhibit some value to somebody (Dietrich, 2019; Hennessey & Amabile, 2010; Kenett et al, 2020). After all, any hack can bang piano keys randomly or throw together random ingredients from their kitchen.…”
mentioning
confidence: 99%