Determinants of demand for traditional Chinese opera

Wu, Junlong; Jiang, Kaili; Yuan, Chaoqing

doi:10.1007/s00181-018-1531-7

Cited by 10 publications

(5 citation statements)

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“…More specifically, concert attendants are not pursuing socialisation opportunities but rather trying to get away. Likewise, authors like [52] analysed the factors determining attendance at Chinese opera and surprisingly confirmed that, as far as cultural capital is concerned, that the percentage of population with a university degree or higher has a negative impact on attendance at these types of shows. Regarding the price variable, ref.…”

Section: Factors Referencesmentioning

confidence: 88%

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Cultural Sustainability in University Students’ Flamenco Music Event Attendance: A Neural Networks Approach

et al. 2021

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University students consume live music; however, almost 40% declare that they have never attended a flamenco show, an intangible heritage of humankind. Numerous studies have shown that cultural capital and socioeconomic profile, among other factors, are variables that influence cultural consumption, and therefore, cultural sustainability. Considering the relationship between several variables, this paper pursues a double objective. On the one hand, identifying the factors that influence attendance at flamenco shows, and on the other, proposing a predictive model that quantifies the likelihood of an individual attending a flamenco show. To this end, we analyse flamenco consumption by means of a survey conducted on 452 university students, using Multilayer Perceptrom (a non-parametric model), a methodology based on an artificial neural network. Our results confirm the importance of cultural capital, as well as personal and external factors, among other. The findings of this research work are of potential interest for management and planning of cultural events, as well as to promote cultural sustainability.

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Section: Factors Referencesmentioning

confidence: 88%

“…Personal characteristics [16,20,24,25,32] Socioeconomic factors [20,24,25,32,46,[50][51][52] Human and cultural capital [5,[12][13][14][15][16][17]21,22,53,54] External factors [5][6][7][8]19,23] Some of them highlight characteristics such as age, gender, and socioeconomic level. For example, ref.…”

Section: Factors Referencesmentioning

confidence: 99%

Cultural Sustainability in University Students’ Flamenco Music Event Attendance: A Neural Networks Approach

et al. 2021

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“…In 1993, the March 3 rd Folk Song Festival was renamed as the Guangxi Folk Song Festival, and so far, 24 sessions of the Guangxi International Folk Song Festival have been successfully held(J. Li, 2021;Wu et al, 2019;Svalina, 2023). In 2000, it was selected as one of the first cultural industry demonstration bases in China and also the first festival event themed on intangible cultural heritage.…”

Section: Historical Evolution Of Guangxi's Intangible Cultural Herita...mentioning

confidence: 99%

Harmony Amidst Change: Revitalizing Guangxi's Intangible Cultural Heritage Music in Higher Education

Bing,

Ismail,

Sile

et al. 2024

Intl. J. Rel.

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Guangxi's intangible cultural heritage music culture has a long history, diverse types, and profound connotations. As a precious and primitive ethnic music cultural heritage, Guangxi's intangible cultural heritage can improve the quality of contemporary vocal teaching in professional skills such as music singing, instrument performance, enhance the training quality of national vocal music talents in China, and promote the development of folk music culture in China. However, as the rapid development of modern society, these valuable musical traditions are facing gradual marginalization and oblivion. Based on this phenomenon, this study interviewed four professors and four students in the field of music education, as well as conducted a detailed survey questionnaire on 347 students from four universities in Guangxi (Guangxi Arts University, Guangxi Normal University for Nationalities, Yulin Normal University, and Guangxi University of Foreign Language). The results show that students and educators maintain a strong interest in and a high level of respect for non-heritage music, despite the challenges of the current education system and resource allocation. Students and educators are eager to contribute to the preservation and transmission of this valuable cultural heritage to enhance the aesthetic and artistic sensibilities of university students and improve their musical aesthetic ability. Therefore, through investigation and analysis of the current situation and existing problems of music education in various universities, combined with the important significance of improving the music aesthetic ability of college students, targeted solutions are proposed to effectively improve the music aesthetic ability of music majors in universities.

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“…A recent article by Wu et al ( 2019 ) provides an extended cultural economics literature review. They find that ‘a positive effect of income and a negative effect of price on the demand for performing arts are mainstream results in cultural economics literature.’ Ziebe and O’Hagan ( 2013 ) make a similar argument, writing that ‘[p]rice and income are shown to be highly significant,’ but their research is based on data from individuals.…”

Section: Introductionmentioning

confidence: 99%

Workers’ access to Swedish opera houses and concert halls, 1898–2019

Albinsson

2021

J Cult Econ

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In this study ticket prices to Swedish opera houses and symphony orchestra concerts are compared to wages during the 1898–2019 period. Both wages and ticket prices have increased continuously. The same kind of policy objectives concerning social inclusion of disadvantaged groups that were established in the beginning of the twentieth century is still proclaimed. The most favourable ticket pricing policies for buyers were used in the decades around the first national Cultural Policy Act from 1974. The study shows that ticket price levels have risen thereafter to a level much less favourable for low-income workers. Managements do use some price discrimination tactics. However, they do it uniformly for all events. They now focus on the promotion of special, ‘popular music’-based events as a response to social inclusion directives. The idea is that attending such performances will make visitors interested in the normal repertoire, as well. The choice of high-level ticket prices for the traditional content means that the standard audience remains monocultural.

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Determinants of demand for traditional Chinese opera

Cited by 10 publications

References 50 publications

Cultural Sustainability in University Students’ Flamenco Music Event Attendance: A Neural Networks Approach

Cultural Sustainability in University Students’ Flamenco Music Event Attendance: A Neural Networks Approach

Harmony Amidst Change: Revitalizing Guangxi's Intangible Cultural Heritage Music in Higher Education

Workers’ access to Swedish opera houses and concert halls, 1898–2019

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