2019
DOI: 10.1108/jchmsd-04-2019-0032
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Designing with maritime heritage: adaptive re-use of small-scale shipyards in northwest Europe

Abstract: Purpose The purpose of this paper is to describe the different design approaches architects take towards the adaptive reuse of small-scale shipyards. Thereby giving a proposition for future projects by giving insight in how others preceded and showcasing different possibilities. Design/methodology/approach The research is based on a literary review in combination with a case study, following one main question: What architectural approaches do architects employ in redesigning nineteenth- and twentieth century… Show more

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Cited by 20 publications
(9 citation statements)
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“…Considering the religious histories and heritage value of traditional Sanliurfa houses, the author conducted an assessment of compatible reuse based on four dimensions: artistic value, historical value, social value, and scientific value. Hettema and Egberts (2019) analyse and compare three small shipyards in northwest Europe and propose that the reuse of shipyards provides an opportunity to restore the historical relationship between the town and water. Other types of adaptable reuse methods have been developed by the Danish landscape architect Ellen Braae, who uses a qualitative methodology based on differentiation, continuation, cultivation, and optimisation.…”
Section: Introductionmentioning
confidence: 99%
“…Considering the religious histories and heritage value of traditional Sanliurfa houses, the author conducted an assessment of compatible reuse based on four dimensions: artistic value, historical value, social value, and scientific value. Hettema and Egberts (2019) analyse and compare three small shipyards in northwest Europe and propose that the reuse of shipyards provides an opportunity to restore the historical relationship between the town and water. Other types of adaptable reuse methods have been developed by the Danish landscape architect Ellen Braae, who uses a qualitative methodology based on differentiation, continuation, cultivation, and optimisation.…”
Section: Introductionmentioning
confidence: 99%
“…Hence, studies on the specific aspects of cultural heritage, such as its significance, multiplicity, and variety of values, are to be furthered [27,43]. Thirdly, previous research jointly focusing on challenges and the adaptive reuse of cultural heritage are either conducted in non-European geographical settings, e.g., East Asia [26], Oceania [20,27], and North America [44], or focused on specific typologies of cultural heritage in Europe, such as industrial buildings [45,46]. Finally, to date, the identification of these challenges considered the views of few stakeholders-mostly owners, developers, and architects [20,47]-although a wide variety of other actors is normally involved in the adaptive reuse of cultural heritage, e.g., investors, heritage professionals, and users [24,48], as flagged by Conejos et al [20].…”
Section: Introductionmentioning
confidence: 99%
“…Since the late 1980s, but especially in the 1990s, the adaptation of industrial sites into multi‐use retail, market, and entertainment zones have been central to catalyzing the shift to the service‐oriented creative city. The innovative reuse of harbor sites (Defilippis, 1997; Hoyle et al., 1988), rail and shipyards (Hettema & Egberts, 2019), and industrial‐heritage districts (Kohn, 2010) are some of the more important examples in this regard. Many post‐industrial marketplaces, like New York's South Street Seaport, are key sites of industrial heritage tourism meant to rebrand and revitalize local economies.…”
Section: Adaptive Reuse and The Post‐industrial Citymentioning
confidence: 99%