2010
DOI: 10.1108/10878571011042050
|View full text |Cite
|
Sign up to set email alerts
|

Design thinking – a new mental model of value innovation

Abstract: PurposeAs value innovation becomes a core top management concern, there is a growing recognition that “design thinking,” or the creative principles long associated with the design function, may now have something very significant to offer when applied more broadly to business management and strategy development. This paper aims to investigate this issue.Design/methodology/approachThe paper analyzes the techniques of Roger Martin, one of design thinking's most widely recognized advocates. Martin introduces a se… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
66
1
4

Year Published

2012
2012
2021
2021

Publication Types

Select...
6
4

Relationship

0
10

Authors

Journals

citations
Cited by 100 publications
(71 citation statements)
references
References 3 publications
(2 reference statements)
0
66
1
4
Order By: Relevance
“…It is seen in the literature almost entirely, that the industrial revolution in the 21st century was the framework for the emergence of the professional practice of design, considering its formation that period as project activity can define the formal properties of the product "creating an interface relationship with the consumer and their needs, contributing to the creation of trends and generating market demands" (Lemos, 2009). The historical process started from then transformed and expanded the powers of design, overstepped the boundaries of the industry and also migrated to the service economy, expanding its multidisciplinary and acquiring greater creative freedom to wander through the various fields of knowledge, besides taking its functions initially dedicated to industrial purposes, other new responsibilities (Franzato, 2010).…”
Section: Introductionmentioning
confidence: 99%
“…It is seen in the literature almost entirely, that the industrial revolution in the 21st century was the framework for the emergence of the professional practice of design, considering its formation that period as project activity can define the formal properties of the product "creating an interface relationship with the consumer and their needs, contributing to the creation of trends and generating market demands" (Lemos, 2009). The historical process started from then transformed and expanded the powers of design, overstepped the boundaries of the industry and also migrated to the service economy, expanding its multidisciplinary and acquiring greater creative freedom to wander through the various fields of knowledge, besides taking its functions initially dedicated to industrial purposes, other new responsibilities (Franzato, 2010).…”
Section: Introductionmentioning
confidence: 99%
“…Second, feminist challenges to a prevailing body of work within economic geography on innovation, entrepreneurship and networks are crucial to illuminate gendered power relations in design. Design often has been viewed as a key source of innovation (Vinodrai, Gertler, and Lambert 2007;Vinodrai 2013;Leavy 2010), potentially promoting the competitive advantage of nations, cities or regions (Bell and Jayne 2003;Bakhshi, McVittie, and Simmie 2008). Design also can be cast as entrepreneurial, in the sense that a large share of activity takes place within relatively small design consultancy firms operating across competitive environments of relatively rapid growth, dissolution and re-formation.…”
Section: Understanding Gender Divisions In Designmentioning
confidence: 99%
“…165-192), the role fosters innovation performance. Indeed, design literature suggests that focusing on the functional performance of products is not sufficient; innovating firms need to consider a product's emotional satisfaction and market latent needs as well (Leavy, 2010;Y. Li, Wang, X. Li, & Zhao, 2007).…”
Section: The Experience Architectmentioning
confidence: 99%