Describe, Transcribe, Notate: Prospects and problems facing electroacoustic music

Battier, Marc

doi:10.1017/s1355771814000430

Cited by 1 publication

(1 citation statement)

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“…Thanks to traditional music notation's relevance for both perception and performance, a melody can be notated, performed and then re-transcribed from its performance. There is a tradition of notating electroacoustic music, but with representation specific to individual works (Karkoschka, 1972 ), see, e.g., Messiaen's Timbres-Dures (Battier, 2015 ) and Stockhausen's Studie II (Stockhausen, 1956 ). The main target groups for this research are composers, performers and musicologists, though we believe this kind of notation can be of use in other areas where the symbolic representation of sound structures are needed.…”

Section: Introductionmentioning

confidence: 99%

Sonification of Complex Spectral Structures

Sköld

Bresin

2022

Front. Neurosci.

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In this article, we present our work on the sonification of notated complex spectral structures. It is part of a larger research project about the design of a new notation system for representing sound-based musical structures. Complex spectral structures are notated with special symbols in the scores, which can be digitally rendered so that the user can hear key aspects of what has been notated. This hearing of the notated data is significantly different from reading the same data, and reveals the complexity hidden in its simplified notation. The digitally played score is not the music itself but can provide essential information about the music in ways that can only be obtained in sounding form. The playback needs to be designed so that the user can make relevant sonic readings of the sonified data. The sound notation system used here is an adaptation of Thoresen and Hedman's spectromorphological analysis notation. Symbols originally developed by Lasse Thoresen from Pierre Schaeffer's typo-morphology have in this system been adapted to display measurable spectral features of timbrel structure for the composition and transcription of sound-based musical structures. Spectrum category symbols are placed over a spectral grand-staff that combines indications of pitch and frequency values for the combined display of music related to pitch-based and spectral values. Spectral features of a musical structure such as spectral width and density are represented as graphical symbols and sonically rendered. In perceptual experiments we have verified that users can identify spectral notation parameters based on their sonification. This confirms the main principle of sonification that is that the data/dimensions relations in one domain, in our case notated representation of spectral features, are transformed in perceived relations in the audio domain, and back.

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Section: Introductionmentioning

confidence: 99%