Der Mensch Und Sein Werk 1979
DOI: 10.1007/978-94-017-0958-3_1
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Der Mensch und Sein Werk

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Cited by 6 publications
(3 citation statements)
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“…In a letter to Martin Buber from 21 May 1924, Rosenzweig, rather bizarrely, refers to Hirsch as "the preplagiarizer [Vorplagiator] of the idea of the Jewish and Christianity theory" that he elaborates in part 3 of the Star of Redemption. 72 If Hegel presents the history of religions in terms of a single developmental trajectory culminating in Christianity, a process in which the difference between God and human beings is gradually sublated, Hirsch, like Rosenzweig, moves to preserve the distinction between God and human beings. However, where Rosenzweig emphasizes a notion of God that relates to human beings dialogically, Hirsch insists that religion is not to be understood in terms of the relationship between human beings and God but rather in terms of the relationship of the human being with its own potentiality for freedom.…”
Section: ■ Spirit At War With Itselfmentioning
confidence: 99%
“…In a letter to Martin Buber from 21 May 1924, Rosenzweig, rather bizarrely, refers to Hirsch as "the preplagiarizer [Vorplagiator] of the idea of the Jewish and Christianity theory" that he elaborates in part 3 of the Star of Redemption. 72 If Hegel presents the history of religions in terms of a single developmental trajectory culminating in Christianity, a process in which the difference between God and human beings is gradually sublated, Hirsch, like Rosenzweig, moves to preserve the distinction between God and human beings. However, where Rosenzweig emphasizes a notion of God that relates to human beings dialogically, Hirsch insists that religion is not to be understood in terms of the relationship between human beings and God but rather in terms of the relationship of the human being with its own potentiality for freedom.…”
Section: ■ Spirit At War With Itselfmentioning
confidence: 99%
“…Rosenzweig's statement is actually based on Cohen's writings about aesthetics and about religion: in the last part of his System der Philosophie, Ästhetik des reinen Gefühls (1912), Cohen explicitly maintains that the human being that is the object of artistic representation or the character of a work of literature is not a type, but rather an individual. Just three years later, however, in his first book about philosophy of religion, Der Begriff der Religion im System der Philosophie (1915), Cohen states that the human being that is represented by art is not really an individual: only the man of religion is really individual; the human being represented by art (or the character of a work of literature) is merely a type 2 .…”
mentioning
confidence: 99%
“…The infinitive of the verb, φράγνυµι (fragnumi) but also φράξοµαι (fraxomai) means "to enclose", "to crowd ones against others", "to put walls", "to fortify". In this sense the word is a reminder of a significant character of the phenomenon, the idea of separated, defined territories, portions of space regulated with an established order, with an apparatus of rules that distinguishes what is inside to what is outside the border (see the definition of "territory" in Schmitt [1991] and Rosenzweig [2007]).…”
Section: Fragmentationmentioning
confidence: 99%