2004
DOI: 10.2307/3246147
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Depicting Democracy: An Exploration of Art and Text in the Law of Eukrates

Abstract: This paper examines the range of symbolic associations surrounding the relief sculpture (Democracy crowning the Athenian people) that accompanied the law proposed by Eukrates against the establishment of tyranny. It examines some of the investments made in it by various communities and individuals. The role of personifications in political allegory is examined. This analysis shows both the potency of personifying representations of the Athenian people and the interpretative complexities that they create.

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Cited by 10 publications
(8 citation statements)
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References 25 publications
(31 reference statements)
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“…The figures who supplement and sometimes replace Athena, a mature, bearded, himation-wearing male and a female figure with her himation drawn over the top of her head, are particularly interesting. A couple of reliefs which label them individually allow us to identify these figures as personifications of the two institutional actors of the Athenian decrees, Boule, or the Athenian council, and Demos, which referred to the popular assembly and also the Athenian people as a whole (Glowacki 2003; Blanshard 2004).
Fig.
…”
Section: Visualising the Godsmentioning
confidence: 99%
See 3 more Smart Citations
“…The figures who supplement and sometimes replace Athena, a mature, bearded, himation-wearing male and a female figure with her himation drawn over the top of her head, are particularly interesting. A couple of reliefs which label them individually allow us to identify these figures as personifications of the two institutional actors of the Athenian decrees, Boule, or the Athenian council, and Demos, which referred to the popular assembly and also the Athenian people as a whole (Glowacki 2003; Blanshard 2004).
Fig.
…”
Section: Visualising the Godsmentioning
confidence: 99%
“… 35 Blanshard 2004; 2007; Elsner 2015. Elsner (2015, 56–7), in particular, highlights the common occurrence of dexiosis between the departed and the bereaved in funeral monuments and asks, provocatively, ‘can we say with absolute and irrefutable confidence that when gods (who are immortal) shake hands, there were no connotations of death or leave-taking potentially evoked for any of an image's spectators?’.…”
mentioning
confidence: 99%
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“…On ally pays'; similar view in Lambert (2001) 65). the practical and political implications of providing a 48 For the details of the financial transaction, see the decree with a document relief, see Blanshard (2004).…”
Section: 'The Cities Which the Athenians Rule'mentioning
confidence: 99%