“…Further exploration of the literature reveals that task engagement is reported as existing upon on a continuum, ranging from intense behavioural, cognitive and emotional engagement, commonly referred to as "flow" (see the seminal work of Csikszentmihalyi, 1990), which culminates in a sensory loss of time and place (Csikszentmihalyi, 1990), through to a more "superficial engagement" (Whitton & Moseley, 2014, p. 442) where an actor may be just behaviourally "going through the motions" (Whitton & Moseley, 2014). In the latter, such limited engagement can often regresses into disengagement, which is frequently labelled as "disaffection" (see Skinner & Belmont, 1993;Skinner, Kindermann, Connell, & Wellborn, 2009;Parsons & Taylor, 2011;Kearney, 2013), resulting in a student becoming behaviourally "distracted" (Reeve, Jang, Carrell, Jeon, & Barch, 2004, p. 148) from the activity, and possibly accompanied by negative emotions such as boredom and anger (Skinner & Belmont, 1993).…”