2016
DOI: 10.1353/chl.2016.0012
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Decolonizing Childhood: Coming of Age in Tamora Pierce’s Fantastic Empire

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Cited by 4 publications
(3 citation statements)
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“…The adult assumes that the child is powerless in order to confirm their own authority (Nodelman, 2008). This motif is also explored by Sarah Sahn (2016), who found that the main character in Tamora Pierce's fantasy novel series Song of the Lioness Quartet (1983)(1984)(1985)(1986)(1987)(1988) is confined to the discourse of adulthood and infantilised in order to keep her childlike and subservient. The protagonist is treated as a naive other, which is colonised and silenced by the adults.…”
Section: Dzieciństwo Literatura Imentioning
confidence: 99%
“…The adult assumes that the child is powerless in order to confirm their own authority (Nodelman, 2008). This motif is also explored by Sarah Sahn (2016), who found that the main character in Tamora Pierce's fantasy novel series Song of the Lioness Quartet (1983)(1984)(1985)(1986)(1987)(1988) is confined to the discourse of adulthood and infantilised in order to keep her childlike and subservient. The protagonist is treated as a naive other, which is colonised and silenced by the adults.…”
Section: Dzieciństwo Literatura Imentioning
confidence: 99%
“…Thomas (2016) asserted that "if today's children grow up with literature that is multicultural, diverse, and decolonized, we can begin the work of healing our nation and world through humanizing stories" (p. 119). We provide this analysis to join the voices and work taking up decolonial and postcolonial approaches in children's literature (Sahn, 2016). In our analysis, we are able to forefront the ways children's literature from the island teaches children about facing adversity as a community, as a people, and in relation to place, history, and nature.…”
Section: Thiago Y La Aventura Del Huracánmentioning
confidence: 99%
“…Decolonial and postcolonial approaches have also been explored in the field of children’s literature (Hartley, 2010; McGillis, 1999; Raina, 2009; Sahn, 2016; Xie, 1999). These works provide an understanding of how children’s literature can both reflect colonial ideologies and provide spaces for decolonial ruptures that disrupt normative Western ways of knowing.…”
Section: Theoretical Framementioning
confidence: 99%