Abstract:In “The Black Cat,” Poe's narrator discovers an odd pictorial representation of a crime he just committed. An “impression” of the cat he killed appears with astonishing accuracy—even the rope around the animal's neck—on his bedroom wall. This portrait resembles a daguerreotype in its placement, its durability, its verisimilitude, and its effect on viewers. The narrator's explanation for how it was produced alludes, moreover, to Louis-Jacques-Mandé Daguerre's pioneering technique for developing images on photos… Show more
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