Abstract:Punk in China suffers from the stigma of inauthenticity and the dilemma of belatedness. That is, it comes ‘after’ the original punk moment in the West and is understood as derivative and therefore inauthentic. It does not follow, however, that in places that came ‘late’ to punk, such as China, punk is merely an echo of Western practice. Recent scholarship has embraced the concept of ‘global punk’, alongside projects to decolonize punk studies, to destabilize Western-centric understandings of punk authenticity.… Show more
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