De L’ère du soupçon à Pour un nouveau roman.

Yanoshevsky, Galia

doi:10.7202/012825ar

Cited by 3 publications

(1 citation statement)

References 3 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Les écrivains se prêtent avec plus ou moins de bonne grâce à cet exercice, où l'image qu'ils entendent projeter d'eux-mêmes doit être incessamment négociée avec leur partenaire, journaliste, interviewer professionnel ou figure plus ou moins dominante de la scène culturelle. Je renvoie au travail de Galia Yanoshevsky (2004Yanoshevsky ( , 2006, qui montre bien comment l'image de l'auteur est gérée dans la dynamique de l'interaction où, malgré la coopération de mise dans ce type d'échange, elle risque à tout moment d'échapper à la maîtrise de l'interviewé.…”

unclassified

La double nature de l’image d’auteur

Amossy¹

2009

aad

View full text Add to dashboard Cite

unclassified

La double nature de l’image d’auteur

Amossy¹

2009

aad

View full text Add to dashboard Cite

Palimpsestos da guerra: o intertexto latino em Claude Simon

Ribeiro¹

View full text Add to dashboard Cite

The novel of Claude Simon dialogues with many texts through various composition procedures, especially due to the explicit intertextuality in many cases. In the aesthetic context of the nouveau roman, the French "new novel", the author deals in his writing with peculiar linguistic aspects, including the time perspective, which demonstrate its literary character. Thus, there is a clear need to the critics to understand how the various text organizational principles articulate among themselves in favor of a unit, made of fragments that stick and deform according to the demands of the writer, being thus a kind of palimpsest. The Latin intertext, the relationship between a text and the ancient Roman literature, plays a key role in the creation of the Simonian text, which also interferes in our reading of other elements that interact with it. One of the novels which sets out clearly that intertextual factor in Simon's literature is La Bataille de Pharsale (1969), our option for object of study, given the rise of problems posed by the presence of classical culture in the work by relations and transformations. In this novel, the war is one of the main points derived from the relations between ancient and modern in writing, so that other compositional aspects of the text, as time and enunciation, seem to establish a reciprocal interference with the intertext. Taking into account these factors, our analysis had the aim of reassessing the critical path on the author's work in a comparative and multidisciplinary approach to provide relevant conclusions about our object. From this study, we provide reading possibilities for the novel based on our discussion, as well as new perspectives for the understanding of Claude Simon's work and the modern novel in relation to the classical tradition.

show abstract

Novos Tempos, Mesmas Histórias: Uma Comparação entre o Conto "Pai Contra Mãe" e o Filme Quanto Vale ou É por Quilo?

Gomes¹

2010

Revista Scripta Alumni

View full text Add to dashboard Cite

De L’ère du soupçon à Pour un nouveau roman.

Abstract: (imprimé) 1708-9069 (numérique) Découvrir la revue Citer cet article Yanoshevsky, G. (2005). De L'ère du soupçon à Pour un nouveau roman. : De la rhétorique des profondeurs à la rhétorique des surfaces.

Cited by 3 publications

References 3 publications

La double nature de l’image d’auteur

La double nature de l’image d’auteur

Palimpsestos da guerra: o intertexto latino em Claude Simon

Novos Tempos, Mesmas Histórias: Uma Comparação entre o Conto "Pai Contra Mãe" e o Filme Quanto Vale ou É por Quilo?

Contact Info

Product

Resources

About