„Das Verstehen“ des Nicht-Verstehbaren Holocaust. Ingeborg Bachmanns und Paul Celans Gedichte in der Perspektive der Bilder von Anselm Kiefer und in der Musik von Luigi Nono

Zenck, Martin

doi:10.30965/9783846745212_021

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The Kolisch Quartet1

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2024

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“…Alban Berg had also claimed in spring 1925 that they played it in "private circles." 415 A concert in October 1925 in Mannheim did not achieve much attention. 416 The next one, however, did.…”

Section: The Kolisch Quartetmentioning

confidence: 99%

The Movement of a Musical Work. Ernst Krenek's Opus 20 in the Interwar Years

Larsson Lindal

2024

Mediehistoriskt Arkiv

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The idealistic musical work concept is the idea that pieces of music exist beyond space and time. Having emerged in Western art music, this concept has not had an easy time co-existing with musical practices around the world. To show the discrepancies and consistencies of the musical work concept vis-à-vis everyday practice, the book The Movement of a Musical Work. Ernst Krenek’s Opus 20 in the Interwar Years sets out to explore the making of one single musical work and its movement in and with people, objects, time, and space. Set amid 1920s social circles of European modern music or New Music, the book focuses entirely on the Third String Quartet, op. 20 by Austrian composer Ernst Krenek.

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Section: The Kolisch Quartetmentioning

confidence: 99%

The Movement of a Musical Work. Ernst Krenek's Opus 20 in the Interwar Years

Larsson Lindal

2024

Mediehistoriskt Arkiv

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show abstract

„Das Verstehen“ des Nicht-Verstehbaren Holocaust. Ingeborg Bachmanns und Paul Celans Gedichte in der Perspektive der Bilder von Anselm Kiefer und in der Musik von Luigi Nono

Cited by 1 publication

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The Movement of a Musical Work. Ernst Krenek's Opus 20 in the Interwar Years

The Movement of a Musical Work. Ernst Krenek's Opus 20 in the Interwar Years

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