2022
DOI: 10.1515/jlt-2022-2016
|View full text |Cite
|
Sign up to set email alerts
|

Das umgeschriebene Genie. Zum Verhältnis von literarischem Autorschaftsdiskurs und Schriftpraktiken im Theater

Abstract: The present article proposes, as its successively developed tool of analysis, a combination of literary, theatre historical and manuscriptological approaches, which then reveal the extent to which the study of written artefacts may further our understanding of collaborative models of (literary) creation, analysed along with their corresponding practices. Authorship is often understood, on the one hand, as a discursively produced phenomenon – as an ensemble of attributes that are not only ascribed to any produc… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

0
0
0

Publication Types

Select...

Relationship

0
0

Authors

Journals

citations
Cited by 0 publications
references
References 18 publications
0
0
0
Order By: Relevance

No citations

Set email alert for when this publication receives citations?