2019 14th ACM/IEEE International Conference on Human-Robot Interaction (HRI) 2019
DOI: 10.1109/hri.2019.8673314
|View full text |Cite
|
Sign up to set email alerts
|

Dancing with ChairBots

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
1
0

Year Published

2020
2020
2023
2023

Publication Types

Select...
2
1
1

Relationship

0
4

Authors

Journals

citations
Cited by 4 publications
(2 citation statements)
references
References 1 publication
0
1
0
Order By: Relevance
“…Other projects developed by Knight and colleagues focus on the expressive capabilities of chairbots, and on how improvisers are able to make a chair effectively communicate in live interactions with humans [2]. In further research, the authors automatize those behaviors and conduct more experiments [1], [23].…”
Section: B Improvisation For Better Social Robot Capabilitiesmentioning
confidence: 99%
“…Other projects developed by Knight and colleagues focus on the expressive capabilities of chairbots, and on how improvisers are able to make a chair effectively communicate in live interactions with humans [2]. In further research, the authors automatize those behaviors and conduct more experiments [1], [23].…”
Section: B Improvisation For Better Social Robot Capabilitiesmentioning
confidence: 99%
“…FDO robots in performances also emphasise the importance of the human co-actors' pretending an emotional contact with the robot, thus creating an illusion of the robot as a creature having emotions; see Figure 2 for an illustration of this. See also [43] for another appearance of FDO robots in the shape of animated furniture. As suggested in Section 2, there is a variety of situations in which robots appear on stage, ranging from full scale, professional performances for a paying audience over short (entertaining) intermezzi in larger events such as concerts and TV shows, to experimental laboratory or university settings with its audience being academic staff and students [see, e.g., 24] or performance installations in which there is no clear distinction between auditorium and stage [see, e.g., 44] and in which the interaction between performers and audiences is continuously negotiated.…”
Section: Robots As Performative Gestaltsmentioning
confidence: 99%