Dancers in the Louvre: The Iranian and Cypriot Collections

Dunn-Vaturi, Anne-Elizabeth

doi:10.2307/3210913

Near Eastern Archaeology

2003

DOI: 10.2307/3210913

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Dancers in the Louvre: The Iranian and Cypriot Collections

Anne-Elizabeth Dunn-Vaturi¹

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“…A number of researchers have studied human motifs on prehistoric pottery (e.g. Dunn-Vaturi 2003; Gabbay 2003; Garfinkel 2003a). Joseph Garfinkel (2003b) has provided the most comprehensive account with a global survey of human motifs on prehistoric pottery, placing special emphasis on the Middle East.…”

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Human motifs at Neolithic Tepe Baluch, north-east Iran

2017

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The start of sedentary farming and herding in the Middle East transformed social and economic organisation and reshaped ideological structures and artistic representations. Tepe Baluch is a Neolithic settlement on the Neyshabur Plain in north-east Iran. Amongst the ceramic material excavated at the site, one particular sherd is of great interest. It is decorated with two (possibly three) motifs in the form of human figures. For this date and region, such Neolithic iconography is rare, and this short article develops a comparative analysis to explore its significance.

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Human motifs at Neolithic Tepe Baluch, north-east Iran

2017

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Dancers in the Louvre: The Iranian and Cypriot Collections

Cited by 1 publication

References 0 publications

Human motifs at Neolithic Tepe Baluch, north-east Iran

Human motifs at Neolithic Tepe Baluch, north-east Iran

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