Proceedings of the 28th Annual Conference on Computer Graphics and Interactive Techniques 2001
DOI: 10.1145/383259.383313
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Abstract: We present a novel painting system with an intuitive haptic interface, which serves as an expressive vehicle for interactively creating painterly works. We introduce a deformable, 3D brush model, which gives the user natural control of complex brush strokes. The force feedback enhances the sense of realism and provides tactile cues that enable the user to better manipulate the paint brush. We have also developed a bidirectional, two-layer paint model that, combined with a palette interface, enables easy loadin… Show more

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Cited by 136 publications
(8 citation statements)
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“…While haptic cues work within the non-visual sensory channel, they also afford eyes-off interaction, another area that deserves follow-up. In addition, it will be interesting to assess to what extend the system can improve expressiveness [4,75].…”
Section: Discussionmentioning
confidence: 99%
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“…While haptic cues work within the non-visual sensory channel, they also afford eyes-off interaction, another area that deserves follow-up. In addition, it will be interesting to assess to what extend the system can improve expressiveness [4,75].…”
Section: Discussionmentioning
confidence: 99%
“…Pen-based tactile cues improve user performance (affected by a learning-curve [51]), especially for smaller targets [63]. General interaction with touchscreens [11,45,48], or artistic and writing applications [4,13,18] and education [53] have been explored. These systems often provide feedback similar to haptic mice [1] or pens for spatial interaction [17,37,44].…”
Section: Related Workmentioning
confidence: 99%
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“…Tools may tightly simulate their real-world counterparts (e.g., [2]), or they might provide novel types of interactions (e.g., [18]). In both cases though, users create color gradients by layering multiple strokes.…”
Section: Introductionmentioning
confidence: 99%