2006
DOI: 10.1016/j.jhg.2005.10.004
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Currents, visions and voyages: historical geographies of the sea

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Cited by 107 publications
(65 citation statements)
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“…… The sea and the land in which we dwell furnish theatres for action, limited for limited actions and vast for grander deeds" (in Steinberg, 1999, page 368). As the "source of all things" and the "maternal sublime" (Lambert et al, 2006), the ocean locates ideas about amphibian origin and belonging of humans. The 'oceanic feeling' referred to by Freud (1930) and traced to Sanskrit beginnings captures a spiritual origin, or 'Nirvana principle', described as a "subterranean source of religious energy" (Parsons, 1989, pages 501-503).…”
Section: Undersea Worlds: Myth Monsters and Cyborgsmentioning
confidence: 99%
“…… The sea and the land in which we dwell furnish theatres for action, limited for limited actions and vast for grander deeds" (in Steinberg, 1999, page 368). As the "source of all things" and the "maternal sublime" (Lambert et al, 2006), the ocean locates ideas about amphibian origin and belonging of humans. The 'oceanic feeling' referred to by Freud (1930) and traced to Sanskrit beginnings captures a spiritual origin, or 'Nirvana principle', described as a "subterranean source of religious energy" (Parsons, 1989, pages 501-503).…”
Section: Undersea Worlds: Myth Monsters and Cyborgsmentioning
confidence: 99%
“…During this time, they often turn to the lagoons for fishing (particularly prawn fishing), or to other sources of income, such as making and selling jewelry or cultivating paddy fields. The fisherfolk, then, do not only occupy the archetypically liminal space of the beach, but also regularly embody the meeting of the practices of the land and sea (Lambert et al, 2006;Westerdahl 2005). It is therefore important to note that land and sea are not distinctly oppositional; rather they have the potential to intimately and immanently relate to one another (Connery, 2006).…”
Section: The Ocean As An Actor In the Everydaymentioning
confidence: 99%
“…Legends and myths about the ocean abound in popular culture and can serve as a powerftil indicator of its importance (Connery, 2006;Lambert et al, 2006). In my quest to understand the cultural significance of the sea in Batticaloa, I asked the fisherfolk repeatedly if they had any stories about the sea, any myths or legends that featured the ocean, yet they always told me that they did not.…”
Section: The Ocean As An Actor In the Everydaymentioning
confidence: 99%
“…Moreover, geographers have begun to attend to the ship-a site traditionally overlooked given the heightened importance of the terrestrial in geographic study (Hasty and Peters 2012). Scholars have contended that considerations of ships, at sea, open up new spatial imaginaries not possible by looking only inwards to the land (Lambert, Martins and Ogborn 2006). Arguably the ship complicates existing geographical studies relating to the spatialities of incarceration because it encapsulates a host of (im)mobilities that differ from conventional forms of 'landed' imprisonment such as the island (as previously described) and the conventional prison.…”
Section: Introducing the Convict Shipmentioning
confidence: 99%