2013
DOI: 10.1007/s10767-013-9138-7
|View full text |Cite
|
Sign up to set email alerts
|

Culture, Memory, Context: Reenactments of Traumatic Histories in Europe and Eurasia

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
5
0

Year Published

2013
2013
2024
2024

Publication Types

Select...
3

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(5 citation statements)
references
References 4 publications
0
5
0
Order By: Relevance
“…(Gruber, 2002). Salamensky (2013) speaks of the Disney diaspora, of which there are two types: Jewface (includes music, dancing, and the theatre, where non-Jewish people "become" Jewish) and Jewfacade (includes museum-type objects) (Smith and Zátori, 2015). Research conducted by Podoshen and Hunt (2011) showed that Jewish people find visiting the actual site too painful and that it is wrong that the profit from Holocaust sites goes to those partially responsible for the Holocaust.…”
Section: Komparativna Analiza Metoda Istraživanja Turizma žIdovske Ba...mentioning
confidence: 99%
“…(Gruber, 2002). Salamensky (2013) speaks of the Disney diaspora, of which there are two types: Jewface (includes music, dancing, and the theatre, where non-Jewish people "become" Jewish) and Jewfacade (includes museum-type objects) (Smith and Zátori, 2015). Research conducted by Podoshen and Hunt (2011) showed that Jewish people find visiting the actual site too painful and that it is wrong that the profit from Holocaust sites goes to those partially responsible for the Holocaust.…”
Section: Komparativna Analiza Metoda Istraživanja Turizma žIdovske Ba...mentioning
confidence: 99%
“…Like the film discussed by Hersonski and Melamed, the past remains 'unfinished' and can consequently be unraveled again and again. Like the figure of the Jew in Spanish communities of memory, the past itself is "a creature of the ether, everywhere but nowhere" (Salamensky 2013), impossible to grasp fully, and equally impossible to avoid. As Melamed points out in her interview, in our present encounter with the Warsaw ghetto through incomplete memory fragments, we are asked to pause and to understand, only to realize that we understand close to nothing.…”
Section: Memory Regimesmentioning
confidence: 99%
“…With "multidirectional" screened memories, mnemonic communities might not be those initially expected, as in the case of the revival of Jewish heritage festivals where diverse populations in Poland, Spain, and Russia-most of which have no first-person or familial ties to Jewish communities-"remember" Jewish heritage (Salamensky 2013). What sparks the memory of an absent or relocated group in any location is a complicated and varied process, which may have certain practices and in aesthetics common, but always, has a local character.…”
mentioning
confidence: 99%
“…Paradoxically, Jews can only serve the functional needs of an expanded Polish national identity so long as they remain an internal Other. Polish Jews in such an environment are often entirely marginalized, resulting in reified notions of Jewish alterity 6 or even "philosemitic violence." 7 In the final concluding chapter, Zubrzycki ponders how such a reality can be transcended in the context of Polish collective "memory, mythology, and nationalism" (p. 192).…”
mentioning
confidence: 99%
“…Paradoxically, Jews can only serve the functional needs of an expanded Polish national identity so long as they remain an internal Other. Polish Jews in such an environment are often entirely marginalized, resulting in reified notions of Jewish alterity 6 or even “philosemitic violence.” 7 …”
mentioning
confidence: 99%