Culture in psychology: Perennial problems and the contemporary methodological crisis

Art Peculiarities Of Mistai Karim Works

“…The mixture of sublime and ordinary (Mironenko & Sorokin, 2015) in simultaneous or parallel way appears in his lyric, epic or drama pieces. For example, Ulmasbay, the hero of the same name poem, who was like a fairy tale hero, dries his footcloths, Prometheus from "Do not leave the fire, Prometheus" (Karim, 1983) desperately wants to make every human being happy, so when Power and Strength, who were supposed to secure the fire from the heaven, seduced by houries indulged in satisfaction, he steals the fire.…”

“…The same vision of events in the view of main character and in terms of his individual psychological perception brings all fragments of novel together in an art unit. Author uses an interim structure concentration mode (Mironenko & Sorokin, 2015). Memories, aroused when hero lies on the battlefield, are the link for plot twist, and through the layers of time they taking the reader back into the hero's childhood.…”

“…Incredibly tragic sense of Zulhabiba life lies in her actions: in a difficult moment she acted unconsciously and tempted to circumstances and accepted alien lifestyle with its welfare, but she has lost her Motherland. Through convincing and real life circumstances, collisions, and mistakes of drama characters the main astatic problemsocial and moral responsibility of a person for its gesturesis raised (Mironenko & Sorokin, 2015). Collisions of Zulhabiba became clashes between person and society, human and Motherland, which ends with tragic dissonance.…”

“…She rules her family, based on outdated canons and can't and won't change them even for her beloved son salvation. Dissention between feelings and responsibility, mind and heart (Mironenko & Sorokin, 2015) causes huge psychological collisions, an internal struggle, and unsolvable inner conflict.…”

“…Expressed in M. Karim works, especially dramas, reality appears in many https: //dx.doi.org/10.15405/epsbs.2019.03.02.233 Corresponding Author: G. N. Gareeva Selection and peer-review under During the second part of 1980s, the worsening on every field of social life, especially in moral and spiritual, stimulated writers, and first of all M. Karim, to find new more efficient aesthetically manner for reality depiction. Frequently they were method of critical realism and different genre and style potential application (Mironenko & Sorokin, 2015).…”