2020
DOI: 10.1108/ils-02-2020-0019
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Culturally disruptive research: a critical (re)engagement with research processes and teaching practices

Abstract: Purpose As scholars, educators and policymakers recognize the impact of partnership-based research, there is a growing need for more in-depth understanding of how to conduct this work, especially with and in diverse project teams. The purpose of this paper is to provide a critical examination of adopting a culturally disruptive approach in a research–practice partnership (RPP) that includes Indigenous and non-Indigenous researchers, designers and educators who worked together to collaboratively design cultural… Show more

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Cited by 5 publications
(3 citation statements)
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References 28 publications
(29 reference statements)
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“…In more conventional paradigms of academic investigation, research strategies are purposefully designed to position the researcher as an "outsider looking in", premised on the belief that researcher-subjectivity may cloud the objective "truth", thereby compromising reliability and universal replicability of research findings in the traditional sense. As practice-led/ based studies place the researcher at the centre of the investigation, questions as to the reliability of outcomes have been deliberated (Jackson & Mazzei, 2012;Leavy, 2017;Litts et al, 2020). Conversely, it may be argued that such discourse has inadvertently strengthened the engagement of practice-centred research among academics who are also creative arts practitioners.…”
Section: Disruptive Streaks Of Practice-based Researchmentioning
confidence: 99%
“…In more conventional paradigms of academic investigation, research strategies are purposefully designed to position the researcher as an "outsider looking in", premised on the belief that researcher-subjectivity may cloud the objective "truth", thereby compromising reliability and universal replicability of research findings in the traditional sense. As practice-led/ based studies place the researcher at the centre of the investigation, questions as to the reliability of outcomes have been deliberated (Jackson & Mazzei, 2012;Leavy, 2017;Litts et al, 2020). Conversely, it may be argued that such discourse has inadvertently strengthened the engagement of practice-centred research among academics who are also creative arts practitioners.…”
Section: Disruptive Streaks Of Practice-based Researchmentioning
confidence: 99%
“…Similarly, YPAR, while gaining popularity within classrooms, is typically viewed as a pedagogical orientation, rather than a rigorous research methodology. Both within and beyond education research, relational and participatory methods such as CBPR and YPAR offer powerful opportunities to engage in trauma-reducing scholarship with minoritized communities and youth as coresearchers (Fisher et al, 2019;Litts et al, 2020;Stanton, 2014). As a starting place, research teams could engage with community members and youth coresearchers to identify ways specific classes, programs, and/or policies reinforce trauma, as well as determine potential responses.…”
Section: A Call For Sociohistorical Trauma-reducing Researchmentioning
confidence: 99%
“…De un modo particular, la disrupción -pedagógica, innovadora o educativa-hace referencia a desafiar epistemologías escolares (Anderson y Justice, 2015) y sistemas de valores y de conocimiento que mantienen formas de saber y de ser convencionales (Litts et al, 2020) y jerarquizadas. En esta línea, lo disruptivo viene acompañado de principios y estrategias que invitan a descubrir y formular nuevos interrogantes, construir otros recursos y herramientas (Pilonieta, 2017), crear lenguajes y caminos que inviten a una circularidad en las relaciones educativas y socioafectivas (Ahmed, 2018), personalizar la educación, flexibilizar en términos de tiempo y lugar los recursos educativos y fomentar el aprendizaje activo buscando el interés y la participación del alumnado en su propio aprendizaje, pues como señalan Valverde-Berrocoso et al (2023) en Educación Secundaria se utilizan en gran medida metodologías Teri.…”
Section: Introductionunclassified