Cultural Products in the International Trading System

Iapadre, Lelio

doi:10.1016/b978-0-444-53776-8.00015-5

Cited by 3 publications

(2 citation statements)

References 44 publications

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“…Cultural activities constitute a crucial economic sector, gaining significance with the pace of development and remaining substantial even in developing nations. Many worries about the impact of globalization on cultural diversity revolve around the apprehension that the dominance of the US cultural industry could extend further in the global market, especially within the audiovisual sector (Iapadre, 2014). Likewise, the global market for visual art is dominated by artists based in the global North.…”

Section: Discussionmentioning

confidence: 99%

How can virtual and augmented reality facilitate international business?

Kshetri,

Dwivedi

2024

Thunderbird Intl Bus Rev

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While extensive research has explored the internet's role in internationalization, there is limited understanding of how augmented reality (AR) and virtual reality (VR) contribute. Our objective is to address and fill this gap by investigating the roles of AR and VR in international expansion of services and cultural products. The paper addresses facilitators and barriers for the use of these technologies in international business. It argues that advancements in information and communication technologies have played a pivotal role in fostering the integration of AR and VR into global business operations. The study examines the role of these technologies in inward internationalization, particularly in the tourism sector The article also delves into the disintermediation effects of AR and VR compared to Internet‐based platforms, emphasizing their potential to outperform traditional e‐commerce websites. Additionally, the research explores how AR and VR stimulate the internationalization of cultural products, such as concerts and visual art, overcoming geographical constraints. AR and VR technologies are currently in use by a variety of entities, including national tourism authorities, destination management organizations (DMOs), and service providers in the travel and hospitality industries, such as airlines and hotels. They are also employed by producers of cultural products, such as concerts and visual art. The ongoing advancements in these technologies are expected to broaden their existing applications.

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Section: Discussionmentioning

confidence: 99%

How can virtual and augmented reality facilitate international business?

Kshetri,

Dwivedi

2024

Thunderbird Intl Bus Rev

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“…product, process, marketing or organizational innovation, described in Oslo Manual 16 19 . The interconnected world forces big actors to create their own "business ecosystems" -a networks of medium and small companies cooperating in producing the value.…”

Section: Regional Innovation Ecosystemmentioning

confidence: 99%

The Impact of the Networks and Clusters in Cultural and Creative Industries on Regional Innovation Ecosystem - Analysis of the Selected Cases in Europe

Olko

2017

SPSUTOM

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Abstract. The purpose of the paper is to investigate the impact of local and regional networks and clusters existing in creative industries on regional innovation ecosystems. Real examples of such creative environments shows that they can operate independently of the other regional sectors or can be interconnected with regional sectors. On the basis of the five presented cases, the level of linkages with other sectors was presented. Theoretical background used in the paper is grounded in network approach in strategic management.Keywords: clusters, cluster organizations, creative and cultural industries, intersectoral cooperation. IntroductionRegional innovation ecosystems make use of cooperation between different environments (traditional triple-helix approach 1 ) as well as intersectoral cooperation. The issue worth raising is how these models fit into cultural and creative industries (CCI). From a very long time culture have been treated as a phenomenon completely different, almost opposite to economy. Politicians and other influential people were convinced that cultural products are luxury goods subject to consumption. Recent decades shows that creative and cultural industries (CCI) are the very important part of regional and national economies influencing also other sectors. The term 'creative industries' especially emerged in nineties and was first documented in 1994 in Creative class and creative industries are crucial for the innovation processes in the regions, inspiring and creating new ideas and products and thus affect the regional innovation systems. Therefore it is important to increase the knowledge about how CCI collaborate in clusters and networks, influencing regional innovation ecosystems as well as other industries existing in the region. In the article this phenomenon have been presented using cases form different European countries. Main purposes of the research was to define the level of linkage between regional creative sector organized in cluster organization and other sectors operating regionally. So the main research question consider the problem if the local creative industries can work independently or in cooperation with other industries in the region. Observations carried out so far in creative industries and literature analysis tend to formulate the following proposition:

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Building synergies between WTO and UNESCO: the case for data-driven policy coordination

Miguel

Petz

2016

International Journal of Cultural Policy

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Cultural Products in the International Trading System

Cited by 3 publications

References 44 publications

How can virtual and augmented reality facilitate international business?

How can virtual and augmented reality facilitate international business?

The Impact of the Networks and Clusters in Cultural and Creative Industries on Regional Innovation Ecosystem - Analysis of the Selected Cases in Europe

Building synergies between WTO and UNESCO: the case for data-driven policy coordination

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