Cultural Production, Music and the Politics of Legitimacy: The Case of the FARC in Colombia

Martel, Simon Pierre Boulanger

doi:10.1080/13698249.2021.1846351

Cited by 3 publications

(1 citation statement)

References 33 publications

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“…For instance, congregational music represents solidarity and a sense of collective identity in the civil rights movement (Ward, 1998). Boulanger Martel (2020) drawing on data relating to the production of music between 1988 to 2019 of the Fuerzas Armadas Revolucionarias de Colombia argued that cultural production was employed to bolster rebel group legitimacy, internally by justifying the existing hierarchical relationships between leaders and fighters and externally by identifying the rebel group as a legitimate alternative to the existing establishment and a rightful representative of the people.…”

Section: Music and Conflictmentioning

confidence: 99%

The Power of Music: an exploration of the evidence [PREPRINT]

Hallam¹,

Himonides²

2021

Preprint

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This OSF project contains the source and supplementary materials for the book "The Power of Music: an exploration of the evidence" (under review). This book was written to provide an update to The power of music: A research synthesis of the impact of actively making music on the intellectual, social and personal development of children and young people. As the evidence was collated, it became clear that much more research had been undertaken since the original book was produced and that that research was focused on a much wider age range with particular expansion in work with older age groups. It was therefore decided to expand the book to include research across the lifespan covering a wider range of issues, particularly those relating to health and wellbeing as these have become more important in the research agenda in recent years. The title referring to an exploration of the research was selected to make it possible to take account of all kinds of research from large scale population studies to single case studies, correlation studies, experiments and evaluations of interventions with a focus on both listening to and actively making and creating music. Some interventions that have several different outcomes are mentioned in more than one chapter. As there has been much controversy recently as to whether music can have any impact, particularly on cognition, it was felt important to include examples of individual research projects for the reader to be able to draw their own conclusions about the impact of music rather than relying on a summary, although an overview is provided at the end of each chapter. This means that the book is not always an easy read. Some of the research is extremely complex and takes time to understand. It is hoped that despite this it will enable the reader to make an informed decision about the power of music in a range of areas across the lifespan.

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Section: Music and Conflictmentioning

confidence: 99%

The Power of Music: an exploration of the evidence [PREPRINT]

Hallam¹,

Himonides²

2021

Preprint

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From Insurgency to Local Politics the Case of the Former FARC-EP Insurgent Guillermo Torres in Turbaco, Colombia

Cortés-Urquijo,

Quishpe,

Malagón

et al. 2023

Civil Wars

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The Power of Music

Hallam¹,

Himonides²

2022

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Evangelos HimonidesDr Evangelos Himonides held the University of London's first ever lectureship in music technology education and now holds the country's first ever Chair in Technology, Education, and Music. Evangelos works at University College London, where he leads a number of courses and supervises doctoral and post-doctoral research. At postgraduate level, he has led and now serves the MA in Music Education programme at UCL, with courses in 'Music Technology in Education' and 'Choral Conducting, Leadership and Communication'. At undergraduate level, Evangelos developed UCL's first ever music-related course in the Institution's near two-century history, which is called 'Interactions of Music & Science' and offered under the innovative Bachelors of Arts and Sciences (BASc) programme. He is fellow of the RSA and Chartered Fellow (FBCS CITP) of the British Computer Society. As a musician, technologist and educator, Evangelos has had an ongoing career in experimental research in the fields of Psychoacoustics, Music Perception, Music Cognition, IT, Human-Computer Interaction, Special Needs, the Singing Voice & Singing Development. Publications currently number over two hundred in high-profile international journals, such as Frontiers of Psychology and Cognitive Science, Psychology of Music, IJME, RSME, Journal of Voice, Logopedics Phoniatrics Vocology. Evangelos has been working on numerous funded research projects for leading UK Research Councils such as the AHRC, ESRC, EPSRC, grant-making foundations/charities such as The Paul Hamlyn Foundation, RNIB, the AmberTrust and the Esmée Fairbairn Foundation, government agencies/departments (such as DfES, QCA) and also the European Union. Evangelos is associate editor for the Journal of Music, Technology and Education (Intellect), associate editor of Frontiers in Psychology, past associate editor for the Journal Logopedics Phoniatrics Vocology xv Author Biographies (Informa Healthcare), reviews editor for Psychology of Music (SAGE), editor of the Society for Education and Music Psychology Research (SEMPRE) Conference Series, and section editor for 'technology' for the Oxford Handbook of Music Education. Evangelos has co-edited, with Andrew King, two key volumes in Technology, Music and Education, published by Routledge.As a sound engineer and researcher, Evangelos has recorded in numerous venues (including York Minster, St.Paul's, RCM), with various artists such as Derek Lee Ragin (Farinelli), Vanessa Mae (SONY BMG) and Jarvis Cocker (Pulp) and for numerous media productions (for the BBC, Ch5, Discovery Channel, RTL, CBS, PBS, History Channel).Evangelos has developed the free online technologies for Sounds of Intent, Inspire-Music and the Online Afghan Rubab Tutor. In his spare time, Evangelos likes to record music, play guitar, and handcraft musical instruments in order to raise funds for his charitable work. Intellectual, Social and Personal Development of Children and Young People (2015). As the evidence was collated, it became clear that much more research had be...

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Cultural Production, Music and the Politics of Legitimacy: The Case of the FARC in Colombia

Cited by 3 publications

References 33 publications

The Power of Music: an exploration of the evidence [PREPRINT]

The Power of Music: an exploration of the evidence [PREPRINT]

From Insurgency to Local Politics the Case of the Former FARC-EP Insurgent Guillermo Torres in Turbaco, Colombia

The Power of Music

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