“…This provoked an artistic exodus in 1974 which saw Alexander Solzhenitsyn, Mstislav Rostropovich and his wife Galina Vishnevskaya expelled from the USSR, and Mikhail Baryshnikov defect. Another wave of Soviet cultural defectors followed in 1979 and 1980 that included, among others, Bolshoi Ballet dancers Aleksander Godunov, Valentina Kozlova and Leonid Kozlov, Sulamif Messerer and her son Mikhail, as well as figure skating champions and Lenin Prize awardees Oleg and Ludmilla Protopopov (Wyszomirski, Oleszczuk, & Smith, 1988). Each of these incidents and the regime swings between cultural repression and relative openness sustained an image of an oppressive Soviet cultural policy and reinforced the American perception that, as Librarian of Congress Daniel Boorstin noted in 1981, “The countries that have cultural policies are, of course, totalitarian countries” (Adams & Goldbard, 1998).…”