2019
DOI: 10.1111/ffe.13041
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Cruciform specimens' experimental analysis in ultrasonic fatigue testing

Abstract: In this paper, two special aluminium cruciform specimens are designed and tested in an ultrasonic fatigue machine. They were designed based on Single‐Input‐Multiple‐Output (SIMO) modal analysis to induce in‐plane biaxial stress combinations (in‐phase tension‐tension [T‐T] and out‐of‐phase compression‐tension [C‐T]) when at resonance at 20 kHz. The geometries were subjected to both numerical analysis and experimental testing to understand if they can indeed create the intended biaxial state of stresses. Both nu… Show more

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Cited by 17 publications
(17 citation statements)
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References 31 publications
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“…An original approach to biaxial UFT was proposed in order to achieve VHCF regime using cruciform specimens [25]. Having as starting point the same principles used in the design of the ultrasonic fatigue testing machines and design rules for cruciform specimen design as in [16,24,55], it was shown that at least when using cruciform specimens for in-plane tension-tension (biaxial) testing, only the specimen needs to be redesigned and no changes are required to be made to the machine. Figure 16 shows the UFT machine setup described by Montalvão and Wren [25].…”
Section: Tension/tension Ultrasonic Fatigue Testing (Cruciform Specimmentioning
confidence: 99%
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“…An original approach to biaxial UFT was proposed in order to achieve VHCF regime using cruciform specimens [25]. Having as starting point the same principles used in the design of the ultrasonic fatigue testing machines and design rules for cruciform specimen design as in [16,24,55], it was shown that at least when using cruciform specimens for in-plane tension-tension (biaxial) testing, only the specimen needs to be redesigned and no changes are required to be made to the machine. Figure 16 shows the UFT machine setup described by Montalvão and Wren [25].…”
Section: Tension/tension Ultrasonic Fatigue Testing (Cruciform Specimmentioning
confidence: 99%
“…The result was a cruciform specimen with the same central section geometry and thickness as the original specimen, but only slightly shorter (or even narrower) arms (Figure 18). To achieve a working specimen, several dimension combinations were numerically tested and experimentally tested until they have the resonance mode of interest within the working frequency [24]. The same principles as the ones described in the previous Section 4.2.2 were used to design specimens that are able to deliver biaxiality ratios ∈ −1, 1 [26]:…”
Section: Tuning By Changing the Specimen's Arms' Dimensionsmentioning
confidence: 99%
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